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The music of ancient Rome was a part of Roman culture from the earliest of times. Songs were an integral part of almost every social occasion. [1] The Secular Ode of Horace, for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC.
The Battle of the Caudine Forks showed the clumsiness of the Roman phalanx against the Samnites. The Romans had originally employed the phalanx themselves [25] but gradually evolved more flexible tactics. The result was the three-line Roman legion of the middle period of the Roman Republic, the Manipular System. Romans used a phalanx for their ...
In either case, as was natural, the main burden of the song consisted of invocations of blessing and predictions of happiness, interrupted from time to time by the ancient chorus of Hymen o Hymenaee. Among the Romans a similar custom was in vogue, but the song was sung by girls only, after the marriage guests had gone, and it contained much ...
Catullus Dreams (2011) is a song cycle by David Glaser set to texts of Catullus, scored for soprano and eight instruments; it premiered at Symphony Space in New York by soprano Linda Larson and Sequitur Ensemble. [11] Carmina Catulli is a song cycle arranged from 17 of Catullus's poems by American composer Michael Linton. The cycle was recorded ...
The chant that is now called "Old Roman" comes primarily from a small number of sources, including three graduals and two antiphoners from between 1071 and 1250. Although these are newer than many notated sources from other chant traditions, this chant is called "Old Roman" because it is believed to reflect a Roman oral tradition going back several centuries.
There was never an official language of the empire, however, Latin and Greek were the main languages. [16] During the early years of the Roman Empire, educated nobles often relied on their knowledge of Greek to meet societal expectations, and knowledge of Latin was useful for a career in the military, government, or law. [17]
Saturday Night Live tackled the viral Roman Empire trend in a hilarious rap song. During the Saturday, November 18, episode of SNL, a group of women (played by Ego Nwodim, Punkie Johnson and Chloe ...
He composed a controversial version of Odes 1.5, and Paradise Lost includes references to Horace's 'Roman' Odes 3.1–6 (Book 7 for example begins with echoes of Odes 3.4). [113] Yet Horace's lyrics could offer inspiration to libertines as well as moralists, and neo-Latin sometimes served as a kind of discrete veil for the risqué.