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Socrates gently berates the rhapsode for being Protean, which after all, is exactly what a rhapsode is: a man who is convincingly capable of being different people on stage. Through his character Socrates, Plato argues that "Ion’s talent as an interpreter cannot be an art, a definable body of knowledge or an ordered system of skills," but ...
Much of the book quotes [6] ancient and medieval medical authorities, beginning with Hippocrates, Aristotle, and Galen. Hence the Anatomy is filled with more or less pertinent references to the works of others. A competent Latinist, Burton included a great deal of Latin poetry in the Anatomy, much of it from ancient sources left untranslated ...
A female aulos-player entertains men at a symposium on this Attic red-figure. The Symposium (Ancient Greek: Συμπόσιον) is a Socratic dialogue written by Xenophon in the late 360s B.C. [1] In it, Socrates and a few of his companions attend a symposium (a dinner party at which Greek aristocrats could enjoy entertainment and discussion) hosted by Kallias for the young man Autolykos.
Plato's dialogue Ion, in which Socrates confronts a star player rhapsode, remains the most coherent source of information on these artists. Often, rhapsodes are depicted in Greek art, wearing their signature cloak and carrying a staff. This equipment is also characteristic of travellers in general, implying that rhapsodes were itinerant ...
Where Plato's Socrates emphasizes self-knowledge, Xenophon's Socrates speaks more of self-control. Yet the Memorabilia also contains charming set-pieces (including Socrates' conversation with the glamorous courtesan Theodote in III.11, and his sharp exchanges with two of the Thirty Tyrants in I.2). And Xenophon likely aimed to reach a wider ...
Socrates and Critoboulus go on to use money as an example. If a man does not know how to use something, it is therefore not his property. With money, if a man does not know how to use it then he should not consider it as his property. Socrates makes the argument that a man's assets are not property unless he learns to use them diligently and ...
Socrates runs into Phaedrus on the outskirts of Athens. Phaedrus has just come from the home of Epicrates of Athens, where Lysias, son of Cephalus, has given a speech on love. Socrates, stating that he is "sick with passion for hearing speeches", [Note 1] walks into the countryside with Phaedrus. Socrates is hoping that Phaedrus will repeat the ...
In all probability, Socrates' claim is a literary device that Plato uses, as some of the events that will be mentioned in the speech happened after Aspasia’s death. [3] Menexenus is eager to listen but Socrates is reluctant at first, as he believes that Aspasia might become angry at him for publishing her speech.