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B-flat major is a major scale based on B ... The scale degree chords of B-flat major are: ... Cookie statement; Mobile view; Search.
The numbers do not change when transposing the composition into another key. They are relative to the new Tonic. The only required knowledge is the major scale for the given key. Unless otherwise noted, all numbers represent major chords, and each chord should be played for one measure. So in the key of C, the Nashville Number System notation:
The seventh scale degree is very often raised a half step to form a leading tone, making the dominant chord (V) a major chord (i.e. V major instead of v minor) and the subtonic chord (vii), a diminished chord (vii o, instead of ♭ VII). This version of minor scale is called the harmonic minor scale.
"b–a–c–h is beginning and end of all music" (Max Reger 1912) In music, the BACH motif is the motif, a succession of notes important or characteristic to a piece, B flat, A, C, B natural. In German musical nomenclature, in which the note B natural is named H and the B flat named B, it forms Johann Sebastian Bach's family name.
B Flat notes. B ♭ (B-flat), or, in some European countries, B, is the eleventh step of the Western chromatic scale (starting from C).It lies a diatonic semitone above A and a chromatic semitone below B, [1] thus being enharmonic to A ♯, even though in some musical tunings, B ♭ will have a different sounding pitch than A ♯.
After a reprise of the main theme, a third and much more subdued theme is introduced. It is quite tonally ambiguous and its mysterious mood is in total contrast with the rest of the piece. The main theme returns for a final time and the piece ends on a B-flat major chord marked forte. It takes a little under three minutes to perform. [1]
In the first two bars, it uses a four-note sequence which drops by a third every half-bar. This period ends with a perfect cadence in dominant key of F major. The second period uses a fantasia style and alternates between chords and scale progressions. The coda in bar 20 uses an extended arpeggio in the tonic that confirms the key of B-flat major.
The development section opens with a statement of this final figure, except with alterations from the major subdominant to the minor, which fluidly modulates to a fugue in E ♭ major. [26] The fugato ends with a section featuring non-fugal imitation between registers, eventually resounding in repeated D-major chords.