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B-flat major is a major scale ... The scale degree chords of B-flat major ... Joseph Haydn still gets credit for writing the timpani part at actual pitch ...
The numbers do not change when transposing the composition into another key. They are relative to the new Tonic. The only required knowledge is the major scale for the given key. Unless otherwise noted, all numbers represent major chords, and each chord should be played for one measure. So in the key of C, the Nashville Number System notation:
In the first two bars, it uses a four-note sequence which drops by a third every half-bar. This period ends with a perfect cadence in dominant key of F major. The second period uses a fantasia style and alternates between chords and scale progressions. The coda in bar 20 uses an extended arpeggio in the tonic that confirms the key of B-flat major.
Example 1: Below, a common voicing used by jazz pianists is given for the chord C 7 ♯ 9 (C major chord with a minor 7th, and extended with an augmented 9th). In the lower stave the notes E ♮ and B ♭ are given. These form a tritone which defines the dominant sound, and are the major 3rd and minor 7th of the C 7 ♯ 9 chord.
Here, the first chord—stretching two octaves from D 2 to D 4 —is a diatonic (so-called white-note) cluster, indicated by the natural sign below the staff. The second is a pentatonic (so-called black-note) cluster, indicated by the flat sign; a sharp sign would be required if the notes showing the limit of the cluster were spelled as sharps.
In practice, in a minor key, the third of the dominant chord is often raised by one semitone to form a major chord (or a dominant seventh chord if the seventh is added). In addition, the seventh degree of the major scale (i.e. the leading tone) forms a diminished chord (vii o). [4]
B Flat notes. B ♭ (B-flat), or, in some European countries, B, is the eleventh step of the Western chromatic scale (starting from C).It lies a diatonic semitone above A and a chromatic semitone below B, [1] thus being enharmonic to A ♯, even though in some musical tunings, B ♭ will have a different sounding pitch than A ♯.
Ludwig van Beethoven's Piano Sonata No. 29 in B ♭ major, Op. 106 (known as the Große Sonate für das Hammerklavier, or more simply as the Hammerklavier) is a piano sonata that is widely viewed as one of the most important works of the composer's third period and among the greatest piano sonatas of all time.
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