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The bibliography of Chinua Achebe includes journalism, essays, novels, poems, and non-fiction books written by the Nigerian author Chinua Achebe (1930–2013). Achebe was a prolific writer on topics related to the colonialism of the British Nigeria .
Chinua Achebe in 1966 "An Image of Africa: Racism in Conrad's Heart of Darkness" is the published and amended version of the second Chancellor's Lecture given by Nigerian writer and academic Chinua Achebe at the University of Massachusetts Amherst in February 1975. The essay was included in his 1988 collection, Hopes and Impediments.
Organized by the Society of Young Nigerian Writers (Anambra State) in association with the Chinua Achebe Literary Festival and Memorial Lecture, [5] [6] the anthology was initiated in 2016 by Izunna Okafor, a Nigerian writer and journalist who also serves as the Editor-in-Chief. [7]
Chinua Achebe was born on 16 November 1930 and baptised Albert Chinụalụmọgụ Achebe. [ 1 ] [ a ] His father, Isaiah Okafo Achebe, was a teacher and evangelist, and his mother, Janet Anaenechi Iloegbunam, was the daughter of a blacksmith from Awka , [ 3 ] a leader among church women, and a vegetable farmer.
It's hailed as one of the greatest works of fiction to emerge from Africa. But Things Fall Apart was written in English, sparking debate about the colonisation of language.
Chinua Achebe's 1975 lecture on the book sparked decades of debate. Heart of Darkness is criticised in postcolonial studies, particularly by Nigerian novelist Chinua Achebe . [ 27 ] [ 28 ] In his 1975 public lecture " An Image of Africa: Racism in Conrad's Heart of Darkness ", Achebe described Conrad's novella as "an offensive and deplorable ...
1972 – Chinua Achebe leaves his position following the publication of his short story collection Girls At War as the hundredth book in the series. Sambrook, Currey, Higo and Chakava take over editorial duties collectively with the support of Akin Thomas, editorial director of HEB Nigeria.
Charles Johnson, writing for The Washington Post, praised the book but faulted Achebe for failing to fully flesh out his characters. [3] Nadine Gordimer praised the book's "interesting" humour, particularly when contrasted against its depictions of horrors. [4] Ben Okri described it in The Observer as Achebe's "most complex and his wisest book ...
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