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Death and Life (German: Tod und Leben, Italian: Morte e Vita) is an oil-on-canvas painting by Austrian painter Gustav Klimt. The painting was started in 1908 and completed in 1915. [1] It depicts an allegorical subject in an Art Nouveau (Modern) style. The painting measures 178 by 198 centimeters and is now housed at the Leopold Museum in ...
Klimt is a 2006 Austrian art-house biographical film about the life of the Austrian Symbolist painter Gustav Klimt (1862–1918). [2] It was written and directed by Chilean filmmaker Raúl Ruiz, with an English screenplay adaptation by Gilbert Adair. The director of photography was Ricardo Aronovich, and the music was composed by Jorge ...
Gustav Klimt (14 July 1862 – 6 February 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, [1] and his works are marked by a frank eroticism. [2]
Gallery of works by Gustav Klimt at Zeno.org (in German) iKlimt.com; Web Museum Klimt page; Up Close With Klimt's Painting of 'Judith', Google Arts and Culture; Klimt Film at IMDb High resolution Klimt gallery; Klimt – Painter of Women, CH: Cosmopolis, archived from the original on 5 December 2012
Stealing Klimt, a documentary film that was the inspiration for Woman in Gold [25] Adeleswish.com. a documentary film that recounts the history of the Portrait of Adele Bloch-Bauer I and the other Klimt paintings taken from the Bloch-Bauers by the Nazis.
Stealing Klimt is a 2007 documentary film about Maria Altmann's attempt to recover five Gustav Klimt paintings stolen from her family by the Nazis in 1938, from Austria. [1] It formed the inspiration for the 2015 movie, Woman in Gold and received a credit to that effect ("Inspired by the documentary, Stealing Klimt").
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The works by Klimt which Ferdinand owned, including the two portraits, were moved to Adele's bedroom as a shrine to her. [54] The painting was lent for an exhibition at the Vienna Secession in 1928 to mark the tenth anniversary of Klimt's death; in 1934 it was displayed in London as part of the Austria in London exhibition. [35]
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