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The painting shows a large number of activities representative of the 16th-century Belgian rural life. [3] For example, on the far right a person is shaking apples from the tree. In the center left of the painting, a group of villagers can be seen participating in the blood sport of cock throwing. [4]
Harvesters is currently in the collection of Skagens Museum. [3] The relatively small work (56.2 x 43.4 cm) is based on an earlier, larger painting by Ancher I høstens tid (Harvest Time, 1901) which was acquired by Storstrøms Kunstmuseum. It can now be seen in the Fuglsang Art Museum on the island of Lolland.
The rurality of his native region was his main source of inspiration. Nicknamed the “painter of harvesters”, his works bears witness to the working and peasant social life of his time through scenes of rural or urban work. It was the painting The Harvesters' Pay (1882) that brought him notoriety and recognition from his peers.
In the Pasture (1883) - University of Kentucky Art Museum, Lexington. Kentucky; Le Ballon (1886) - Reading Public Museum and Art Gallery, Reading, Pennsylvania; The Harvesters (1885) - The Appleton Museum of Art, Ocala, Florida; The Harvester (c.1880/1) - Huntington Museum of Art, Huntington, West Virginia
The Hay Harvest (also known as Haymaking), is an oil painting on wood panel by the Netherlandish Renaissance artist Pieter Bruegel the Elder (c. 1525–1569), executed in 1565. The most important of the Lobkowicz family's Northern pictures, it was hung in the dining room of the Antwerp merchant Niclaes Jongelink. This work was originally part ...
Author Martin Berger has analyzed the content of the painting in detail, finding it an evocation of the passage of time and ascribing it a highly personal meaning in Eakins' life. The younger chess player's attempt to kill the older player's king is analogous to the Oedipal complex. In the way that his father Benjamin is placed in opposition to ...
Former President George W. Bush’s paintings will be on display soon at the Harry S. Truman Presidential Library and Museum in Independence. “Portraits of Courage,” a large collection of oil ...
The Western Railway at its Exit from Paris, 1886, oil on canvas, 73 x 92 cm Couple in the street, 1887, Musée d'Orsay, canvas, 38.5 x 33.0 cm. Angrand's Impressionist paintings of the early 1880s, generally depicting rural subjects and containing broken brushstrokes and light-filled colouration, reflect the influences of Claude Monet, Camille Pissarro, [4] and Jules Bastien-Lepage. [2]
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