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120 Koleksi Lagu Wajib Nasional INDONESIA. Lembar Langit Indonesia. Sugesti, Murlina (2014). Koleksi Terlengkap Lagu Wajib Nasional. Lembar Langit Indonesia. ISBN 9780901388728. Abassy, Djamaludin (2011). Lagu-Lagu Wajib Nasional. Lembar Langit Indonesia. ISMN 9790801882011.
The Billboard Indonesia Top 100 was the standard record chart in Indonesia for Indonesian language and/or English-Indonesian language songs, compiled independently in collaboration with ASIRI, with Andhika Septian as the head of this project who also developed its data scoring methodology, published weekly by Billboard Indonesia.
" Indonesia Raya" ('Indonesia the Great') is the national anthem of Indonesia. It has been the national anthem since the Proclamation of Indonesian Independence on 17 August 1945. The song was introduced by its composer , Wage Rudolf Supratman , on 28 October 1928 during the Youth Pledge in Jakarta . [ 1 ]
Rayuan Pulau Kelapa (Solace on Coconut Island) is an Indonesian song written by Ismail Marzuki (1914-1958), who wrote a number of popular tunes in the country's early post-independence period. The lyrics praise Indonesia's natural beauty, such as its floral-related double entendres, islands and beaches, and profess undying love for the country.
A music video for the song released in early 1998, and was directed by Wijo Baru Sembuh. The actress who starred the music video is yet to identified. On January 31, 2020, a remastered version of the video was uploaded on Musica Studios' YouTube channel. As of October 25, 2024, the video has amassed over 1 million views.
Bengawan Solo is the title of the 1949 Indonesian film with the song used as the title theme. [12] The song was used in the both 1949 Japanese film Stray Dog and The Quiet Duel by Akira Kurosawa. [4] Bengawan Solo (ブンガワンソロ, Bungawan Soro) is the title of a 1951 Japanese film directed by Kon Ichikawa, [13] with "Bengawan Solo" its ...
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Genjer-Genjer is an Osing language folk song from East Java, Indonesia, written and composed by musician Muhammad Arief.The song was written as a description of the condition of the people of Banyuwangi during the Japanese occupation period.