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Islamic music may refer to religious music, as performed in Islamic public services or private devotions, or more generally to musical traditions of the Muslim world. The heartland of Islam is the Middle East , North Africa , the Horn of Africa , Balkans , and West Africa , Iran , Central Asia , and South Asia .
Historically, Islamic art and music flourished during the Islamic Golden Age. [11] [12] [13] Today, secular and folk musical styles in the Muslim Middle East are found in Arabic music, Egyptian music, Iranian music, Turkish classical music; and in North Africa, Algerian, and Moroccan music.
The period that is today called early Islamic history was probably not an Islamic, religiously motivated conquest but a secular Arab invasion. [47] Coin of the Rāshidūn Caliphate (632–675 CE). Pseudo-Byzantine type with depictions of the Byzantine emperor Constans II holding the cross-tipped staff and globus cruciger.
Giulio Basetti-Sani, The Koran in the Light of Christ: a Christian Interpretation of the Sacred Book of Islam, trans. by W. Russell-Carroll and Bede Dauphinee, Chicago, Ill.: Franciscan Herald Press, 1977. ISBN 0-8199-0713-8; Roger Arnaldez, Jésus: Fils de Marie, prophète de l'Islam, coll. Jésus et Jésus-Christ, no 13, Paris: Desclée, 1980.
Due to geographical proximity, most of the early Christian critiques of Islam were associated with Eastern Christians. The Quran was not translated from Arabic into the Latin language until the 12th century, when the English Catholic priest Robert of Ketton made the Lex Mahumet pseudoprophete translation (Robert was active in the Diocese of Pamplona, not far removed from the Arabic-speakers in ...
This timeline of Islamic history relates the Gregorian and Islamic calendars in the history of Islam. This timeline starts with the lifetime of Muhammad, which is believed by non-Muslims to be when Islam started, [ 1 ] though not by Muslims .
Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual .
Church Music in the Nineteenth Century, in series, Studies in Church Music. New York: Oxford University Press, 1967. 166 p. Robin Sheldon, ed. In Spirit and in Truth: Exploring Directions in Music in Worship Today. London: Hodder & Stoughton, 1989. x, 198 p. ISBN 0-340-48715-1