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Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Multiple terms have been proposed to describe the native inhabitants of Eastern Indonesia.“Papuans” (Indonesian: Orang Papua) is the preferred term (especially in Indonesian and English) for inhabitants of New Guinea, since it is based on actual native nomenclature used by as recorded in several ancient native evidences.
Tanimbar local society and social structure is based on the traditions called Duan Lolat [].Fundamentally Duan Lolat is the marriage tradition of the Tanimbarese, the groom and his family as "the ones receiving female" are called Lolat, while the bride's family as "the ones giving female" are called Duan.
Picture of Topeng dance performance accompanied by gamelan in Damar Wulan Manuscripts, 1770-1795 AD. A collection of the British Library. Topeng (from Balinese: ᬢᭀᬧᬾᬂ; Javanese: ꦠꦺꦴꦥꦺꦁ, romanized: topèng; [1] Sundanese: ᮒᮧᮕᮨᮔᮌ) is a dramatic form of Indonesian dance in which one or more mask-wearing ornately costumed performers interpret traditional ...
Piring dance (Minangkabau: Piriang; Jawi: تاري ڤيريڠ) is a traditional Minangkabau plate dance originated and performed in West Sumatra, Indonesia.It is also performed in Negeri Sembilan, Malaysia.
The Yali and Dani word for "lands of the east" is yali, from where the Yali took it. [1] [2] When combined, the words ya (path/connecting staircases) and li (light) means "people from the place where the sun rises (East)."
Kecak (Balinese: ᬓᬾᬘᬓ᭄, romanized: kécak, pronounced "kechak"), alternate spellings: kechak and ketjak), known in Indonesian as tari kecak, is a form of Balinese Hindu dance and music drama that was developed in the 1930s.
Colossal Yapong dance Hundreds of dancers demonstrate the yapong dance. The pattern in the clothes worn by the dancers is a development of the Betawi mask dancer clothes. This can be seen clearly from the shape and decoration of the headgear and the sash worn on the chest, which is called the toka-toka.