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The Vertical Ray of the Sun (Vietnamese: Mùa hè chiều thẳng đứng, French: À la verticale de l'été) is the third feature film by Vietnamese-born French director Trần Anh Hùng. It was released in 2000 and is the final part of what many now consider to be Tran's "Vietnam trilogy."
The seven rays is a concept that has appeared in several religions and esoteric philosophies in both Western culture and in India since at least the sixth century BCE. [1]In occidental culture, it can be seen in early Western mystery traditions, such as Gnosticism and Mithraism, and in texts and iconic art of the Catholic Church as early as the Byzantine Empire.
Crepuscular rays are noticeable when the contrast between light and dark is most obvious. Crepuscular comes from the Latin word crepusculum, meaning "twilight". [2] Crepuscular rays usually appear orange because the path through the atmosphere at dawn and dusk passes through up to 40 times as much air as rays from a high Sun at noon.
[citation needed] In certain passages, Savitr combines with the rays of the sun or shines with the rays of the sun. Savitr has a major role in creation. The relevant hymn mentions that: "Indra measured six broad spaces, from which no existing thing is excluded: He it is who made the wide expanse of earth and the lofty dome of the sky, even he."
Sun path, sometimes also called day arc, refers to the daily (sunrise to sunset) and seasonal arc-like path that the Sun appears to follow across the sky as the Earth rotates and orbits the Sun. The Sun's path affects the length of daytime experienced and amount of daylight received along a certain latitude during a given season.
Crepuscular rays are noticeable when the contrast between light and dark is most obvious. Crepuscular comes from the Latin word "crepusculum", meaning twilight. [4] Crepuscular rays usually appear orange because the path through the atmosphere at sunrise and sunset passes through up to 40 times as much air as rays from a high midday sun.
Two different models of the process of creation existed in ancient Israel. [15] In the "logos" (speech) model, God speaks and shapes unresisting dormant matter into effective existence and order (Psalm 33: "By the word of YHWH the heavens were made, and by the breath of his mouth all their hosts; he gathers up the waters like a mound, stores the Deep in vaults"); in the second, or "agon ...
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