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  2. Oriental rug - Wikipedia

    en.wikipedia.org/wiki/Oriental_rug

    In most cases, two double warps are wrapped three times. Kazak rugs have a limited colour palette of 57 colours. In general, the field has a red background, less frequently also ivory, green, blue, or yellow, the colour of the main border often in contrasting colours.

  3. Kashmiri rug - Wikipedia

    en.wikipedia.org/wiki/Kashmiri_rug

    A Kashmir rug is a hand-knotted oriental rug from Kashmir valley in India, which is associated with Kashmiri handicrafts. Kashmir rugs or carpets have intricate designs that are primarily oriental, floral style in a range of colors, sizes and quality. The Kashmiri( /kaʃˈmɪəri/ ) word denotes a native or inhabitant of Kashmir.

  4. Triptych Bleu I, II, III - Wikipedia

    en.wikipedia.org/wiki/Triptych_Bleu_I,_II,_III

    It is a set of three-part display abstract oil paintings by the Spanish modern artist Joan Miró. The paintings are named Bleu I, Bleu II, Bleu III (in English, Blue I, Blue II, Blue III) and are similar. All are large paintings of 355 cm x 270 cm each, and are currently owned by the Musée National d'Art Moderne in the Centre Pompidou in Paris.

  5. Gul (design) - Wikipedia

    en.wikipedia.org/wiki/Gul_(design)

    In Turkmen weavings, such as bags and rugs, guls are often repeated to form the basic pattern in the main field (excluding the border). [4] [5]The different Turkmen tribes such as Tekke, Salor, Ersari and Yomut traditionally wove a variety of guls, some of ancient design, but gul designs were often used by more than one tribe, and by non-Turkmens.

  6. Navajo weaving - Wikipedia

    en.wikipedia.org/wiki/Navajo_weaving

    Navajo used indigo to obtain shades from pale blue to near black and mixed it with indigenous yellow dyes such as the rabbit brush (Ericameria nauseosa) plant to obtain bright green effects. Red was the most difficult dye to obtain locally.

  7. Ellsworth Kelly - Wikipedia

    en.wikipedia.org/wiki/Ellsworth_Kelly

    Kelly attended public school, where art classes stressed materials and sought to develop the "artistic imagination." This curriculum was typical of the broader trend in schooling that had emerged from the Progressive education theories promulgated by the Columbia University's Teacher's College, at which the American modernist painter Arthur Wesley Dow had taught. [1]

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