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The evangelical Bible scholar Daniel B. Wallace agrees with Ehrman. [48] There are several excerpts from other authors that are consistent with this: Fragment 1 (Eusebius - 4th century): And he relates another story of a woman, who was accused of many sins before the Lord, which is contained in the Gospel according to the Hebrews.
The 1891 painting by Jean Béraud brought the episode into the 19th century, with the repentant prostitute represented by the well-known courtesan Liane de Pougy, [18] who eventually became a Dominican tertiary. [19] The parable is included in medieval [20] and later mystery plays about Mary Magdalene, such as Lewis Wager's play of 1550–1566 ...
The identification of the Roman Catholic Church with the Whore of Babylon is kept in the Scofield Reference Bible (whose 1917 edition identified "ecclesiastical Babylon" with "apostate Christendom headed by the Papacy"). An image from the 1545 edition of Luther's Bible depicts the Whore as wearing the papal tiara. [48] [49]
The women's designation as prostitutes links the story to the common biblical theme of God as the protector of the weak, "A father to the fatherless, a defender of widows" (Psalms 68:5). Prostitutes in biblical society are considered functional widows, for they have no male patron to represent them in court and their sons are considered fatherless.
The spies stayed in the house of Rahab, a local prostitute. The king of Jericho sent soldiers who asked Rahab to bring out the spies. Instead, she hid them under bundles of flax on the roof. After escaping, the spies promised to spare Rahab and her family after taking the city, if she would mark her house by hanging a red cord out the window.
The 2008 novel Ever by Gail Carson Levine is based on the story of Jephthah's daughter; Judges 11:34 is quoted in the foreword, and the plot follows the story of a girl in a Bronze Age Middle Eastern–inspired society whose father promises to sacrifice to his god the first person who congratulates him on his wife's recovery from an illness.
A Levite from the mountains of Ephraim had a concubine, who left him and returned to the house of her father in Bethlehem in Judah. [2] Heidi M. Szpek observes that this story serves to support the institution of monarchy, and the choice of the locations of Ephraim (the ancestral home of Samuel, who anointed the first king) and Bethlehem (the home of King David) are not accidental.
Francine Rivers' 1991 novel Redeeming Love tells the story of a prostitute named Angel in the 1850s American West, based on the story of Gomer. Michael Card has a song called "Song Of Gomer" on his album The Word. Estonian writer Ain Kalmus' 1950 novel Prophet tells the tragic love story of Gomer and Hosea.
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