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Six-gore skirt with godets. A godet (/ ɡ oʊ ˈ d eɪ / or / ɡ oʊ ˈ d ɛ t /) is a piece of fabric wider at the bottom than at the top, often a circular sector, inserted into a garment to add fullness for ease of movement or as a design feature. Usually found in sleeves and skirts, but also in very full bell-bottom trousers. [6] [7] Compare ...
Joséphine de Beauharnais wearing a dress with an empire waist. The waistline is the line of demarcation between the upper and lower portions of a garment, which notionally corresponds to the natural waist but may vary with fashion from just below the bust to below the hips. The waistline of a garment is often used to accentuate different features.
A ruff from the 1620s. A ruff is an item of clothing worn in Western, Central, and Northern Europe and Spanish America from the mid-16th century to the mid-17th century. The round and flat variation is often called a millstone collar after its resemblance to millstones for grinding grain. Ruff of c. 1575. Detail from the Darnley Portrait of ...
An older pink babydoll A more recent babydoll. A babydoll is a short, sleeveless, loose-fitting nightgown or negligee, intended as nightwear for women. It sometimes has formed cups called a bralette for cleavage with an attached, loose-fitting skirt falling in length usually between the belly button and upper thigh.
Ruffle (sewing) Portrait of a woman wearing a heavily ruffled cap, 1789. Mechanical ruffler by Singer, used on domestic sewing machines. In sewing and dressmaking, a ruffle, frill, or furbelow is a strip of fabric, lace or ribbon tightly gathered or pleated on one edge and applied to a garment, bedding, or other textile as a form of trimming.
Thomas Howard, Duke of Norfolk wears a shirt trimmed in black on ruff and sleeve ruffles. He wears a belt pouch at his waist. 1563. Charles IX of France wears an embroidered black jerkin with long bases or skirts over a white satin doublet and matching padded hose, 1566. Highnecked black jerkin fastens with buttons and loops. The detailed ...
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