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The score is signed and inscribed: Paul Wittgenstein in Bewunderung zugeeignet von Moritz Rosenthal (Dedicated to Paul Wittgenstein in admiration by Moritz Rosenthal). Un poco serioso (MS) D Autograph manuscript of an untitled work. Extensively annotated by Wittgenstein. Anton Rubinstein: Étude on false notes; A Franz Schmidt
This list contains some of the best-selling songs in terms of sheet music sales in music publishing history with reportedly copies of over 3 million. Figures on sheet music —as with record sales— reported by publishing firms were not always reliable. [1] In the United States, before "Oh!
Some composers have discussed the significance of silence or a silent composition without ever composing such a work. In his 1907 manifesto, Sketch of a New Esthetic of Music, Ferruccio Busoni described its significance: [1] That which, within our present-day music, most nearly approaches the essential of the art, is the Rest and the Hold (Pause).
An example of a clarinet–viola–piano trio existed several hundred years before the clarinet–violin–piano trio; Mozart composed the Kegelstatt Trio in the 18th century, and the Romantic composer Max Bruch composed a suite of eight pieces for this combination, as well as a double concerto for viola, clarinet, and orchestra. Many of these ...
Paul Wittgenstein (November 5, 1887 – March 3, 1961) was an Austrian-American concert pianist notable for commissioning new piano concerti for the left hand alone, after his right arm was amputated during World War I.
Three Pieces for Solo Clarinet is a solo instrumental work by Igor Stravinsky. The work was composed in 1918. [ 1 ] It was published in 1919, shortly after the completion of his Suite from L'Histoire du Soldat , as a thank-you gift to the philanthropist and arts patron Werner Reinhart , who was also an amateur clarinetist. [ 2 ]
Silence: Lectures and Writings is a book by American experimental composer John Cage (1912–1992), first published in 1961 by Wesleyan University Press. Silence is a collection of essays and lectures Cage wrote during the period from 1939 to 1961.
The track listing follows the order of the music's use within the film, with the exception of the title song being moved to the end of the album (in the film, it appears immediately after track 1). It is presented in the full-length single-release version, rather than the shorter mix heard over the film's opening titles.