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Kenny calls his studio The Cave, and beginning in March 2019, launched a YouTube series of the same name, in which he invites artists to rap 16-32 bars over a custom beat he creates during the video. Usually, the artists are people that he already has experience with, or, is already friends with. [ 12 ]
Loudpvck is an electronic music project consisting of Kenny Beats (born Kenneth Blume III). [2] Originally a duo, the project also included Los Angeles-based DJ Ryan Marks until his departure in November 2017, citing his desire to work on other projects. [1]
Clash ' s James Mellen calls the album "a half-hour of seamless and coherent soul-tinted arrangements, beautifully chopped up and spliced together in classic Kenny Beats fashion. With nods to G-funk, jazz and psychedelia , it not only works as a stunning homage to Blume's father, but also proof that [Beats] is a producer who can do it all."
Curry and Kenny Beats intentionally chose to have a lack of singles for the project. [7] Curry stated in a video interview, "there's no singles, like, the project is the single." Going along with this creative choice led the two to develop the concept of an accompanying short film for the project. [ 7 ]
Melt My Eyez See Your Future is the fifth studio album by American rapper Denzel Curry, released through PH and Loma Vista Recordings on March 25, 2022. The album includes features from Robert Glasper, Buzzy Lee, Saul Williams, Bridget Perez, T-Pain, 6lack, Rico Nasty, JID, Jasiah, 454, and Slowthai, and production from Cardo, FnZ, Thundercat, JPEGMafia, and Kenny Beats, among others.
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Kenny Beats created the beat of the song around the time he was working on rapper Vince Staples' album FM!. He had decided to produce one reminiscent of 1990's music inspired by The Neptunes and Timbaland. As for the sequencing of the beat, Kenny said: "Even if you only have nine sounds in your beat, ten sounds in your beat, change shit up.
In terms of musical genre, Mike Wass of Idolator noted that "Night Garden" "falls somewhere between alt-R&B and alt-pop." [6] Chris DeVille of Stereogum described Kenny Beats' production as "hard-hitting yet surprisingly low-key," [7] while David Renshaw of The Fader described the instrumental as a "low-slung beat" which Benee maintains by "keep[ing] things in a similarly downbeat mood as she ...