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One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand or finger gestures called mudras. Two classifications of mudras are used in Indian classical dance, Thai dances, Cambodian dances, Lao dances, Burmese dances and Malay dances, and are a prominent ...
Karakattam (karakam-'water pot'), or Karagam Puja in the Caribbean, is an ancient folk dance of Tamil Nadu performed in praise of the rain goddess Mariamman. The ancient Tamil epic says that this type of dance derived from Bharatham and a mixture of multiple forms of Tamil dance forms like Bharatanatyam postures and mudras. The offering of this ...
Bharatanātyam is an Indian classical dance form that originated in Tamil Nadu, India. [1] [2] It is a classical dance form recognized by the Sangeet Natak Akademi, and expresses South Indian religious themes and spiritual ideas of Hinduism and Jainism.
Somana Kunita (the Mask Dance) is a celebratory form of guardian spirit worship popular in southern Karnataka, performed primarily in village shrines dedicated to the Mother Goddess by the Gangemata community. The dance is characterised by elaborate masks (somas) painted in a variety of colours, with each mask's colour indicating the god's ...
Kolattam is an ancient folk dance of South India, usually performed by women of all ages. [1] It is a community or chorus dance performed in groups. [2] The name "Kolattam" is derived from kol meaning "stick" and attam meaning "dance" in Tamil language. [3]
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Shriram Bharatiya Kala Kendra (SBKK) [1] is an Indian cultural institution which runs a school for music, dance and performing arts in New Delhi.It was founded by Sumitra Charat Ram in 1952, and imparts training in Indian classical dance styles and music, including Kathak, Bharatanatyam, Odissi, Chhau, Hindustani Classical music, both Vocal and Instrumental.
Kagura (神楽 (かぐら), "god-entertainment") is a type of Shinto ritual ceremonial dance. The term is a contraction of the phrase kami no kura ("seat of god"), indicating the presence of gods in the practice. One major function of kagura is chinkon (purifying and shaking the spirit), involving a procession-trance process.