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2. Mélanie Laurent (French pronunciation: [melani loʁɑ̃] ⓘ; born 21 February 1983) is a French actress and filmmaker. The recipient of two César Awards and a Lumières Award, she is an accomplished actress in the French film industry. Internationally, Laurent is best known for her roles in Inglourious Basterds (2009), Now You See Me ...
Laurent (“Inglourious Basterds,””Beginners”) shot the film when her long-gestated Sony project “The Nightingale” with Elle Fanning and Dakota Fanni. Melanie Laurent, one of France’s ...
The Nightingale. (Hannah novel) The Nightingale (2015) is a historical fiction novel by American author Kristin Hannah published by St. Martin's Press. The book tells the story of two sisters in France during World War II and their struggle to survive and resist the German occupation there. The book was inspired by accounts of a Belgian woman ...
The Nightingale is a 2018 Australian historical psychological thriller film written and directed by Jennifer Kent. [6][7][8] The film stars Aisling Franciosi, Sam Claflin, Baykali Ganambarr, Damon Herriman, Harry Greenwood, Ewen Leslie, Charlie Shotwell, Michael Sheasby, and Magnolia Maymuru. Set in 1825 in Van Diemen's Land, it follows a young ...
Mélanie Laurent, who broke through in Quentin Tarantino’s “Inglourious Basterds” and has since made a name for herself as a filmmaker, is back in the director’s chair with “Wingwomen ...
Laurent at the 63rd Berlin International Film Festival. Mélanie Laurent is a French actress, singer, screenwriter and director. She initially rose to prominence for her performance in the 2006 French drama film Don't Worry, I'm Fine for which she later won the César Award for Most Promising Actress and the Prix Romy Schneider.
Freedom, directed and co-written by Mélanie Laurent, is based on the life of Sulaki, who in 1980s France became a jewelry store heist mastermind famous for his lack of violence when stealing.“I ...
Box office. $11.3 million [1] Tomorrow[2] (French: Demain) is a 2015 French documentary film directed by Cyril Dion and Mélanie Laurent. Faced with a future that scientists say is a great cause for concern, [3] the film has the distinction of not giving in to catastrophism. Optimistically, it identifies initiatives that have been proven ...