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La Noche Triste ("The Night of Sorrows", literally "The Sad Night"), was an important event during the Spanish conquest of the Aztec Empire, wherein Hernán Cortés, his army of Spanish conquistadors, and their native allies were driven out of the Aztec capital, Tenochtitlan.
New York at Night may refer to: . New York at Night, a 2020 album by Willie Nile; New York at Night, TV series with Clint Holmes "New York at Night", song by Old Dominion from Happy Endings
"New York '93" from Summer Song "New York After Hours" by Eddie Gale "New York Afternoon" by Richie Cole "New York and Chicago" music by Albert Von Tilzer; lyrics by Junie McCree "New York As A Muse" by Yoko Ono "New York At Night" by Kelly Marie "New York at Night" by Willie Nile "New York Avec Toi" by Téléphone "New York Avenue Bridge" by ...
New York City music host Paul Cavalconte of WFUV says, "A rockin’ new Willie Nile album! New York at Night finds the native son and scribe writing as sharply as ever". [15] Richard Marcus writing in online magazine Blogcritics says; "This is a great album from a wonderful musician and should take pride of place in everybody's NYC music ...
Hernán Cortés, the inspiration behind the song's title. The song is inspired by Hernán Cortés's conquest of the Aztec Empire under Moctezuma II in the 16th century. . Instead of describing Cortés's battles with the Aztecs, the last verse suddenly jumps to a first-person perspective with a reference to an unnamed woman: "And I know she's living there / And she loves me to t
The song was such a big hit that New York City named Swift as an official Global Welcome Ambassador for the city. That wasn’t the only time Swift has shown love for her adopted home. She’s ...
With the encouragement of Loyde, Thorpe's 'new' Aztecs developed a heavier sound and established themselves as one of Australia's premier hard rock groups. [18] By July, Warren 'Pig' Morgan (piano, vocals) had joined and the band recorded, The Hoax Is Over , which was released in January 1971.
During the Spanish Conquest, Christianity was imposed on the Nahua people, which prohibited many traditions and celebrations linked to Aztec gods, including Netotiliztli. Netotiliztli survived because the Nahua shifted the dance's meaning from a spiritual tradition of celebration and worship, to a dance solely for pleasure.