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This song is trilingual with first three of its seven verses written in Hindi, while the last four verses are written in Garhwali and Kumaoni languages. [1] The song is a hymn, praising Uttarakhand as a divine motherland. The theme is set to reflect the geography, ecology, fauna and flora, culture, festivals, music, cuisine, arts, and lifestyle ...
Doha (Urdu: دوہا, Hindi: दोहा, Punjabi: ਦੋਹਾ) is a form of self-contained rhyming couplet in poetry composed in Mātrika metre. This genre of poetry first became common in Apabhraṃśa and was commonly used in Hindustani language poetry. [1] Among the most famous dohas are those of Sarahpa, Kabir, Mirabai, Rahim, Tulsidas ...
For example, the native Hindi word karnā is written करना (ka-ra-nā). [60] The government of these clusters ranges from widely to narrowly applicable rules, with special exceptions within. While standardised for the most part, there are certain variations in clustering, of which the Unicode used on this page is just one scheme.
Devanagari is a Unicode block containing characters for writing languages such as Hindi, Marathi, Bodo, Maithili, Sindhi, Nepali, and Sanskrit, among others.In its original incarnation, the code points U+0900..U+0954 were a direct copy of the characters A0-F4 from the 1988 ISCII standard.
Vande Mataram has inspired many Indian poets and has been translated into numerous Indian languages, such as Tamil, Telugu, Kannada, Odia, Malayalam, Assamese, Hindi, Marathi, Gujarati, Punjabi, Urdu and others. [37] [note 2] Arif Mohammad Khan translated Vande Mataram into Urdu. [39] It can be read in Urdu (Devanagari script) as:
Om Namo Bhagavate Vāsudevaya in Devanagari. Om Namo Bhagavate Vāsudevāya (Sanskrit: ॐ नमो भगवते वासुदेवाय, lit. 'I bow to God Vāsudeva'; listen ⓘ) is one of the most popular mantras in Hinduism and, according to the Bhagavata tradition, the most important mantra in Vaishnavism. [1]
Varahi, one of the Matrikas. The Matrikas originated from the sweat of Shiva and Parvati as forms of Parvati herself who chased the asuras and asuris away from the heavens and killed all of them completely, when the asuras and asuris conquered the heavens after defeating the devas and devis.
In Indian classical music, a Matra [1] is a beat, the smallest rhythmic sub-unit of a tala - the musical meter. It is one of the three levels of structure for tala [ 2 ] along with Vibhag (measure) [ 3 ] and Avartan (cycle). [ 4 ]