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Ralph Vaughan Williams composed his setting of the Magnificat or Song of Mary, one of the three New Testament canticles, in 1932. [1] It is scored for contralto soloist, women's chorus, and an orchestra consisting of two flutes (the first player has a very prominent solo part; the second player doubles on piccolo), two oboes, cor anglais, two clarinets, two bassoons, four horns, two trumpets ...
Harker in A flat . Harris in A . Harwood in A flat . Harwood in E minor . Hawes in D . Hemingway in E . Hemingway The King's Service . Howells in B minor . Howells in E major (Men's voices) ...
The service has been recorded several times, [5] including a 1988 collection The Music of St. Paul's Cathedral, performed by the cathedral choir conducted by John Scott with organist Christopher Dearnley, [6] and a 1997 overview of ten settings of Magnificat and Nunc dimittis by English composers, performed by the Choir of York Minster conducted by Philip Moore and with organist John Scott ...
The setting of the evening canticles, part of the Anglican daily service of Evening Prayer, consists of the Magnificat (Song of Mary) and Nunc dimittis (Song of Simeon). Mary sings the Magnificat ("My soul doth magnify the Lord") on the occasion of her visit to Elizabeth, as narrated in the Gospel of Luke (Luke 1:39–56).
The Book of Common Prayer allows for an alternative to the Magnificat—the Cantate Domino, Psalm 98—and some Anglican rubrics allow for a wider selection of canticles, but the Magnificat and Nunc dimittis remain the most popular. In Anglican, Lutheran, and Catholic services, the Magnificat is generally followed by the Gloria Patri.
Magnificat quarti toni a 2; Magnificat quarti toni a 4 Juan de Anchieta: 1462 1523 Magnificat sexti toni; Magnificat tertii toni – See e.g. Cancionero de Segovia: Robert Fayrfax: 1464 1521 Magnificat 'O bone Jesu' a 5 (STTTB); Magnificat 'Regale' (SATTB) Jerzy Liban: 1464 after 1546 Nine Magnificats in Tonus I–IX (1540) Pedro de Escobar: c ...
[2] According to Dozois, Dangerous Women was conceived as a "cross-genre anthology, one that would mingle every kind of fiction, so we asked writers from every genre—science fiction, fantasy, mystery, historical, horror, paranormal romance, men and women alike—to tackle the theme." [4] The anthology was originally announced as Femmes Fatale ...
The Magnificat setting consists of seven movements for the text of the canticle (Luke 1:46-55), concluded by two movements of the doxology. The following table shows the title, voices, tempo marking, time , key and text source for the nine movements, based on the vocal score, edited by Günter Graulich after the autograph.