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Bright Morning Star" is a traditional Appalachian spiritual, that has been sung by numerous folk artists, and was popularized in the folk revivals of the 1960s and 70s, particularly by The Young Tradition.
Morning star, most commonly used as a name for the planet Venus when it appears in the east before sunrise See also Venus in culture; Morning star, a name for the star Sirius, which appears in the sky just before sunrise from early July to mid-September; Morning star, a (less common) name for the planet Mercury when it appears in the east ...
Bright Morning Stars is the fourth full-length album from Canadian folk trio The Wailin' Jennys. The title track is a traditional Appalachian spiritual.
Lucifer (the morning star) represented as a winged child pouring light from a jar. Engraving by G. H. Frezza, 1704. In Roman folklore, Lucifer ("light-bringer" in Latin) was the name of the planet Venus, though he was often personified as a male figure bearing a torch.
A Thousands Hearts is the fifth solo album by Irish folk singer Cara Dillon.It was the second release on her own label Charcoal Records and was released in partnership with Sony Music. [1]
The morning star is an appearance of the planet Venus, an inferior planet, meaning that its orbit lies between the Earth and the Sun.Depending on the orbital locations of both Venus and Earth, it can be seen in the eastern morning sky for an hour or so before the Sun rises and dims it, or (as the evening star) in the western evening sky for an hour or so after the Sun sets, when Venus itself ...
Charlie King has released a dozen solo albums since 1976. He has also released three albums with the touring ensemble Bright Morning Star, and numerous compilation albums with other artists. Folk legend Peggy Seeger said, "If we had more Charlie Kings in the world I'd be less worried," to which Tom Paxton added, "Luckily, we have him!"
"The Ethics of Living Jim Crow" and "Bright and Morning Star," which are now the first and final pieces, respectively, were added when the book was republished in 1940. [1] The book's title is derived from Harriet Beecher Stowe's Uncle Tom's Cabin, an anti-slavery novel published in 1852.