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A hymn written in the 13th century by Wincenty of Kielcza. It was penned in Medieval Latin to the melody of a Gregorian chant, O salutaris Hostia. The hymn celebrates the canonization of Saint Stanislaus of Szczepanów, bishop of Kraków and patron saint of Poland. In the Middle Ages, it was chanted on special occasions and after victorious ...
Bogurodzica performed by Collegium Vocale Bydgoszcz. Bogurodzica (Polish pronunciation: [bɔɡurɔˈd͡ʑit͡sa], calque of the Greek term Theotokos), in English known as the Mother of God, is a medieval Christian hymn composed sometime between the 10th and 13th centuries in Poland.
Originally celebrated on the third Sunday after Easter with an octave, after Divino Afflatu [3] of Saint Pius X (see Reform of the Roman Breviary by Pope Pius X), it was moved to the preceding Wednesday (because Wednesday was the day of the week specifically dedicated to St. Joseph, St. John the Baptist and local patrons). The feast was also ...
Gaude Mater Polonia (Medieval Latin for "Rejoice, oh Mother Poland"; Ecclesiastical Latin: [ˈɡau̯.dɛ ˈmaː.tɛr pɔˈlɔː.ni.a], Polish: Raduj się, matko Polsko) was one of the most significant medieval Polish hymns, written in Latin between the 13th and the 14th century to commemorate Saint Stanislaus, Bishop of Kraków.
Examples include the 16th-century Latin prayer Oratio pro Republica et Rege ('Prayer for the Commonwealth and the King') by a Calvinist poet, Andrzej Trzeciński, and "Hymn do miłości Ojczyzny" ('Hymn to the Love of the Fatherland') written in 1744 by Prince-Bishop Ignacy Krasicki. They failed, however, to win substantial favor with the populace.
"Bóg się rodzi" (English: "God Is Born", Polish pronunciation: [buk ɕɛ rɔdʑi]) is a Polish Christmas carol (Polish: kolęda), with lyrics written by Franciszek Karpiński in 1792. [1] Its stately melody (the composer has not been established) is traditionally known to be a coronation polonaise for Polish Kings dating back as far as during ...
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The most important hymn book of Pietism was the Freylinghausen hymnal published in Halle in 1704, which contained about 1,500 songs in two volumes. Pietism was of great importance to hymn writing until the end of the eighteenth century. Musically, in the high and late Baroque many valuable, heartfelt hymn tunes were composed.