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Battened clapboard wall [1] [28] Clapboarding with notched vertical battens over the boards. Bark-and-batten wall (Japanese term?) more images: Bark-and-batten wall Vertical sheets of bark, held down with horizontal battens; used as a stand-alone wall or as a decorative facing. [1] Used on poorer houses in the south of Japan in the 1880s. [1]
Literally, shoji means "small obstructing thing" (障子; it might be translated as "screen"), and though this use is now obsolete, [4] shoji was originally used for a variety of sight-obstructing panels, screens, or curtains, [4] many portable, [94] either free-standing or hung from lintels, [95] used to divide the interior space of buildings ...
Japanese people originally used miscanthus, reeds, rice straw, and bamboo as barriers to the entrances of houses. Using fabric curtains as dividers was an idea imported from China around the same time as Zen Buddhism. [2] The term noren began to be used in the late Kamakura period.
A miniature kichō at the Costume Museum in Kyoto. A kichō (几帳) is a portable multi-paneled silk partition supported by a T-pole. [1] It came into use in aristocratic households during and following the Heian period (794–1185) in Japan [2] when it became a standard piece of furniture. [3]
A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...
A Japanese chimera with the features of the beasts from the Chinese Zodiac: a rat's head, rabbit ears, ox horns, a horse's mane, a rooster's comb, a sheep's beard, a dragon's neck, a back like that of a boar, a tiger's shoulders and belly, monkey arms, a dog's hindquarters, and a snake's tail.
A Japanese wall is composed of a mixture of sand, clay, diatomaceous earth and straw, and is a traditional element in the construction of Japanese teahouses, castles and temples. [ 1 ] [ 2 ] Today, teahouses continue to use this product for Zen purposes.
By the mid-Nara period (ca. 750) Japanese paintings showed influences of the Chinese Tang dynasty (618–907) and in the 9th century early Heian period evolved into the Kara-e genre. Wall murals in the Takamatsuzuka Tomb, the Kitora Tomb and the Portrait of Kichijōten at Yakushi-ji exemplify the Kara-e style. Generally, Nara period paintings ...
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