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"The Devil's Thoughts" is a satirical poem in common metre by Samuel Taylor Coleridge, published in 1799, and expanded by Robert Southey in 1827 and retitled "The Devil's Walk". The narrative describes the Devil going walking and enjoying the sight of the various sins of mankind.
He dreamed of "a chrome skeleton emerging from a fire", and made some sketches on hotel stationery upon waking: The first sketch I did showed a metal skeleton cut in half at the waist, crawling over a tile floor, using a large kitchen knife to pull itself forward while reaching out with the other hand.
The poem consisted of seven irregular ballad stanzas of 49 lines. [2] The poem was a satirical attack and criticism of the British government. Satan is depicted meeting with key members of the British government. [2] The poem was modelled on and meant as a continuation of "The Devil's Thoughts" of 1799 by Samuel Taylor Coleridge and Robert ...
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The poem was written in a Habbie stanza with the stanza six lines long and the rhyme scheme AAABAB. Burns used a similar stanza in Death and Doctor Hornbook. The poem is also skeptical of the Devil's existence and of his intentions to punish sinners for all eternity as in the stanza. Hear me, auld Hangie, for a wee, An’ let poor damned bodies be;
Poems in Prose contains the following poems: "Clark Ashton Smith, Poet in Prose", by Donald S. Fryer "The Traveller" "The Flower-Devil" Images "Tears" "The Secret Rose" "The Wind and the Garden" "Offerings" "A Coronal" "The Black Lake" Vignettes "Beyond the Mountains" "The Broken Lute" "Nostalgia of the Unknown" "Grey Sorrow" "The Hair of Circe"
Les Litanies de Satan" ("The Litanies of Satan") is a poem by Charles Baudelaire, published as part of Les Fleurs du mal. The date of composition is unknown, but there is no evidence that it was composed at a different time to the other poems of the volume. [1] The poem is a renunciation of religion, and Catholicism in particular. [2]