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Although the poem contains no overt sexual references, allegations of a hidden sexuality in the poem's text appear in Christopher John Murray's Encyclopedia of the Romantic Era. Murray suggests that the poem instructs the reader to approach melancholy in a manner that will result in the most pleasurable outcome for the reader. [11]
The poem describes the narrator's opinions on melancholy and is addressed specifically to the reader, unlike the narrative of many of the other odes. [10] The lyric nature of the poem allows the poet to describe the onset of melancholy and then provides the reader with different methods of dealing with the emotions involved.
The Nightingale: A Conversation Poem is a poem written by Samuel Taylor Coleridge in April 1798. Originally included in the first edition of Lyrical Ballads, which he published with William Wordsworth, the poem disputes the traditional idea that nightingales are connected to the idea of melancholy.
Romantic poetry is the poetry of the Romantic era, an artistic, literary, musical and intellectual movement that originated in Europe towards the end of the 18th century. It involved a reaction against prevailing Neoclassical ideas of the 18th century, [ 1 ] and lasted approximately from 1800 to 1850.
The text of the poem is as in Poetry and Criticism of Matthew Arnold, edited by Dwight Culler, Boston: Houghton Mifflin Company, 1961; ISBN 0-395-05152-5 and Matthew Arnold's Poems ed. Kenneth Allott (pub. J. M. Dent & Sons Ltd, 1965). The editors of this page have opted for the elided spellings on several words ("blanch'd," "furl'd ...
The Pleasures of Melancholy. Observations on the Faerie Queene of Spenser. 1754. The Oxford Sausage. 1764. – an anthology of verse and Oxford wit; Inquiry into the Authenticity of the Rowley Poems. 1770. History of English Poetry. 1774–1781. The History and Antiquities of Kiddington. 1782.
The following three sections proceed in a similarly exhaustive fashion: the first section focuses on the causes and symptoms of "common" melancholies, the second section deals with cures for melancholy, and the third section explores more complex and esoteric melancholies, including the melancholy of lovers and all manner of religious melancholies.
In particular, Il Penseroso celebrates Melancholy through the traditional Theocritan pastoral model. The setting focuses on a Gothic scene and emphasises a solitary scholarly life. The speaker of the poem invokes a melancholic mood main character wanders through an urban environment and the descriptions are reminiscent of medieval settings.
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