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Wallace Stevens (October 2, 1879 – August 2, 1955) was an American modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and spent most of his life working as an executive for an insurance company in Hartford, Connecticut.
She is Stevens's "unaccommodated object of desire before she has been clothed in the beauty of fantasy", according to Vendler. [ 2 ] Buttel helpfully draws attention to the line "Was whited green", which startles the reader, "through a verbal approximation of painting technique, into a vivid mental recognition—the object realized in art". [ 3 ]
The painting is included in a book 100 Best Paintings in New York (2008). [9] In March 2013, the US Postal Service issued a pane of 12 first-class postage stamps portraying modern art, one of which was Demuth's painting. The timing was 100 years after the Armory Show, New York, 1913, which had given many Americans their first look at modern art ...
In the poem, an unnamed "they" says, of the titular man, "you do not play things as they are", sparking a prolonged meditation on the nature of art, performance, and imagination. [3] Stevens began writing the poem in December 1936, not long after his completion of the poetry collection Owl's Clover in the spring of that year. [4]
The literary scholar Beverly Maeder writing for the Cambridge Companion to Wallace Stevens speaks of the importance the author placed upon linguistic structure in many of his poems. In this instance, Stevens is experimenting with the application of the verb 'to be' in its many forms and conjugations throughout the 13 cantos of the poem.
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"Anecdote of the Jar" is a poem from Wallace Stevens's first book of poetry, Harmonium. Wallace Stevens is an important figure in 20th century American poetry. The poem was first published in 1919, it is in the public domain. [1] Wallace Stevens wrote the poem in 1918 when he was in the town of Elizabethton, Tennessee. [citation needed]
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.