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The Prado, translated from the Spanish by Richard-Lewis Rees and Angela Patricia Hall. New York: Abrams 1991. ISBN 0-8109-8147-5; Araujo Sánchez, Ceferino. Los museos de España. Madrid 1875. Blanco, Antonio. Museo del Prado. Catálago de la Escultura. I Esculturas clásicas. II. Escultura, copia e imitaciones de las antiguas) (siglos XVI ...
Ecce Homo (c. 1605–1609) is a painting attributed to Michelangelo Merisi de Caravaggio.It depicts the ecce homo.The artwork was brought from Italy to Spain and given to Evaristo Pérez de Castro, who kept it in his family's collection.
Location Museo del Prado , Madrid Christ Falling on the Way to Calvary , also known as Lo Spasimo or Il Spasimo di Sicilia , is a painting by the Italian High Renaissance painter Raphael , of c. 1514–16, [ 1 ] now in the Museo del Prado in Madrid.
After the Museo de la Trinidad was merged with the Museo del Prado in 1872, the painting continued to be cataloged as Portrait of the Painter's Wife. The traditional date assigned to it was 1798; however, the first doubts emerged in the 1920s, indicating two different time frames: 1798, [ 5 ] 1790–1800, [ 6 ] and 1808–1812. [ 7 ]
The David and Goliath in the Prado was painted in the early part of the artist's career, while he was a member of the household of Cardinal Francesco Maria Del Monte. It shows the Biblical David as a young boy (in accordance with the Bible story) fastening the head of the champion of the Philistines, the giant Goliath, by the hair. The light ...
Venus and Adonis is a painting by the Italian late Mannerist artist Paolo Veronese, executed in the early 1580s, now in the Museo del Prado, in Madrid. It is an oil on canvas and its dimensions are 162 cm × 191 cm (64 in × 75 in). The original painting was enlarged by 50 cm in the upper border in the 18th century.
The painting became part of the collection of the Museo del Prado, in Madrid, in 1819. [1] [2] Apollo in the Forge of Vulcan has been cited as one of the most important works from Velázquez's first trip to Italy [3] and "one of his most successful compositions with regard to the unified, natural interaction of the figures." [4]
Dating to c. 1515–1524, it is now in the Museo del Prado, in Madrid. Landscape with Charon Crossing Styx fits into common Northern Renaissance and early Mannerist trends of art. The 16th century witnessed a new era for painting in Germany and the Netherlands that combined influences from local traditions and foreign influences.