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The Prado, translated from the Spanish by Richard-Lewis Rees and Angela Patricia Hall. New York: Abrams 1991. ISBN 0-8109-8147-5; Araujo Sánchez, Ceferino. Los museos de España. Madrid 1875. Blanco, Antonio. Museo del Prado. Catálago de la Escultura. I Esculturas clásicas. II. Escultura, copia e imitaciones de las antiguas) (siglos XVI ...
Ecce Homo (c. 1605–1609) is a painting attributed to Michelangelo Merisi de Caravaggio.It depicts the ecce homo.The artwork was brought from Italy to Spain and given to Evaristo Pérez de Castro, who kept it in his family's collection.
After the Museo de la Trinidad was merged with the Museo del Prado in 1872, the painting continued to be cataloged as Portrait of the Painter's Wife. The traditional date assigned to it was 1798; however, the first doubts emerged in the 1920s, indicating two different time frames: 1798, [ 5 ] 1790–1800, [ 6 ] and 1808–1812. [ 7 ]
Location Museo del Prado , Madrid Christ Falling on the Way to Calvary , also known as Lo Spasimo or Il Spasimo di Sicilia , is a painting by the Italian High Renaissance painter Raphael , of c. 1514–16, [ 1 ] now in the Museo del Prado in Madrid.
Titian paintings on display in the Museo del Prado (from left to right: Danaë and the Shower of Gold, The Worship of Venus, Bacchanal of the Andrians, and Venus and Adonis) The Worship of Venus is an oil on canvas painting by the Italian artist Titian completed between 1518 and 1519, housed at the Museo del Prado in Madrid, Spain. [1]
The Visitation is a c. 1517 painting of the Visitation of the Virgin Mary to Saint Elizabeth by Raphael, in the Prado Museum since 1837. [1] Commissioned by the Apostolic Protonotary Giovanni Branconio at his father Marino's request for their family chapel in the church of San Silvestre in Aquila (Marino's wife was called Elisabeth), it was plundered by the occupation troops of Philip IV of ...
Venus and Adonis is a painting by the Italian late Mannerist artist Paolo Veronese, executed in the early 1580s, now in the Museo del Prado, in Madrid. It is an oil on canvas and its dimensions are 162 cm × 191 cm (64 in × 75 in). The original painting was enlarged by 50 cm in the upper border in the 18th century.
Museo del Prado. It is a recurring theme in Goya's paintings to present a crowd that fades little by little into the distance. Already it was present in San Isidro's Meadow and it was later used frequently in The Disasters of War. At the very edge of this painting the silhouette of the rocky outcroppings and that of the parading multitude ...