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Putting mats in a frame is called matting, a term which can also usually be used interchangeably with mat. The French term, occasionally used in English, is passe-partout . A picture (a photo or print, drawing, etc.) is placed beneath it, with the cutout framing it.
Yelp users can make restaurant reservations in Yelp through Yelp Reservations, a feature initially added in June 2010; in 2021 the service was consolidated with others into "Yelp Guest Manager". [ 101 ] [ 102 ] Yelp's reservation features have been done through SeatMe , which was acquired by Yelp in 2013. [ 55 ]
The right panel (220 × 97.5 cm, 87 × 38.4 in) illustrates Hell, the setting of a number of Bosch paintings. Bosch depicts a world in which humans have succumbed to temptations that lead to evil and reap eternal damnation. The tone of this final panel strikes a harsh contrast to those preceding it.
The Garden of Earthly Delights, Triptych of the Temptation of St. Anthony and The Haywain Triptych by Hieronymus Bosch; The Portinari Altarpiece by Hugo van der Goes, c. 1475; The Buhl Altarpiece, c. 1495; The Raising of the Cross by Peter Paul Rubens, 1610 or 1611; The Aino Myth triptych by Akseli Gallen-Kallela, 1891; The Pioneer by Frederick ...
Recto, full view. 28 x 24 cm. Middle leaf, top panel: Deesis, Christ, Mary and John the Baptist The Harbaville Triptych (Greek: Τρίπτυχο Αρμπαβίλ) is a Byzantine ivory triptych of the middle of the 10th century with a Deesis and other saints, now in the Louvre.
The IMA acquired this artwork one particularly hectic week in 1997, when they also purchased major works by Willy Finch and Richard Edward Miller.On December 3, associate curator of pre-1800 paintings and sculptures Ronda Kasl traveled to Sotheby's London branch to bid on the triptych.
Second Version of Triptych 1944 is a 1988 triptych painted by the Irish-born artist Francis Bacon. It is a reworking of Three Studies for Figures at the Base of a Crucifixion , 1944, Bacon's most widely known triptych, and the one which established his reputation as one of England's foremost post-war painters.
The triptych was owned by the aristocratic Belgian Arenberg and Mérode families from 1820 to 1849 before reaching the art market, and has been in the collection of the Cloisters, New York since 1956. Until its acquisition it had been in private collection for many years and thus inaccessible to both scholars and the public.