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The bill featured one piece from each company, plus a newly commissioned dance from choreographer Pedro Ruiz, a romantic duet inspired by New York's energy. The evening began with Ballet Hispanico ...
The Diamond Project was inaugurated May 27, 1992, at New York City Ballet with funding from the Irene Diamond Fund. It has presented — every two to four years — work by new choreographers. It has presented — every two to four years — work by new choreographers.
Once the dance company was given a stable home at New York City Center, Ballet Society continued to operate separately as a non-profit organization in the service of the School of American Ballet and the New York City Ballet, publishing dance books and developing and funding projects related to the sustenance and encouragement of dance in the ...
The goal of the grant scheme is to motivate building owners to achieve complete renovation of the buildings, without leaving important energy saving measures aside. The grants are distributed in the amount of 15%, 25% and 35% of the total project cost, depending on the level of energy savings achieved, under the following conditions: [25] 15% Grant
New York is one of the most energy-efficient states in the country, according to a new study released by WalletHub. WalletHub measured the efficiency of home- and auto-energy consumption in 48 ...
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine [1] and Lincoln Kirstein. [2] Balanchine and Jerome Robbins are ...
Watts retired from the stage in a gala performance at Lincoln Center in 1995. She married fellow New York City Ballet Principal Damian Woetzel in 1999. In addition to her dancing career, Watts was director of the New York State Summer School of the Arts in Saratoga Springs from 1982 to 1994, where she administered a ballet school for gifted ...
Villella became a member of the New York City Ballet in 1957, rising to soloist in 1958 and principal dancer in 1960, last dancing there in 1979. [4]: 179 Among his most noteworthy [5] performances were Oberon in George Balanchine's ballet A Midsummer Night's Dream (with music by Felix Mendelssohn), Tarantella, Rubies in the Balanchine ballet Jewels, and Prodigal Son.