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God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
In this engraving-painting pair showing 16 reformers and 6 theologians, the men sitting around the table are identified as A John Wycliffe, B Jan Hus, C Jerome of Prague, D Ulrich Zwingli, E Martin Luther, F John Oecolampadius, G Martin Bucer, H John Calvin, I Philip Melanchthon, K Peter Martyr Vermigli, L John Knox, M Matthias Flacius, N Heinrich Bullinger, O Hieronymus Zanchi, P Theodore ...
This 16th-century painting depicts the Valencia Chalice. The Holy Chalice, also known as the Holy Grail, is in some Christian traditions the vessel that Jesus used at the Last Supper to share his blood. The Synoptic Gospels refer to Jesus sharing a cup of wine with the Apostles, saying it was the covenant in his blood.
The two-wine view is widespread in conservative Evangelicalism. Dr. Robert Teachout, a fundamental Baptist seminary professor, argued for this position in his 1979 doctoral dissertation The Use of "Wine" in the Old Testament. [152] Separatist Baptist support for a biblical total abstinence position is widespread. [153]
In the King James Version of the Bible the text reads: The Son of man came eating and drinking, and they say, Behold a man gluttonous, and a winebibber, a friend of publicans and sinners. But wisdom is justified of her children. The New International Version translates the passage as:
Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under earth: Thou shalt not bow down thyself to them, nor serve them: for I the L ORD thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me; And shewing ...
Painting of the parable, by Jacob Willemszoon de Wet, mid-17th century. The Parable of the Workers in the Vineyard (also called the Parable of the Laborers in the Vineyard or the Parable of the Generous Employer) is a parable of Jesus which appears in chapter 20 of the Gospel of Matthew in the New Testament.
There are a number of other copies, some attributed to the artist's sons, perhaps made after the engraving, and the painting was lent to Cardinal Federico Borromeo for copying (perhaps the version now in Bergamo). [4] A version attributed to Breuegel's son Pieter Brueghel the Younger of c. 1600 is in the Philadelphia Museum of Art. [1]
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