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Trumpet mouthpiece from the side. The mouthpiece on brass instruments is the part of the instrument placed on the player's lips.The mouthpiece is a circular opening that is enclosed by a rim and that leads to the instrument via a semi-spherical or conical cavity called the cup.
To play with an extended range one should use a pivot, tongue arch and lip to lip compression. According to Farkas [ 5 ] the mouthpiece should have 2 ⁄ 3 upper lip and 1 ⁄ 3 lower lip (French horn), 2 ⁄ 3 lower lip and 1 ⁄ 3 upper lip (trumpet and cornet), and more latitude for lower brass (trombone, baritone, and tuba).
The Superchops embouchure methodology eventually led him on the quest to design and produce the best trumpets and mouthpieces available. Callet's involvement with the business of instruments began with sixteen years in sales (1953–1968) for Elden Benge , followed by eight years of experience with Dominick Calicchio (1968–1975).
Many of these trumpet parts are technically quite difficult to play on a natural instrument, and were often written with a specific virtuoso performer in mind, such as Gottfried Reiche (Bach's chief trumpeter and the subject of a famous painting of the era) or Valentine Snow, for whom Handel composed some of his more noted trumpet parts. Indeed ...
Embouchure collapse in its various forms and extremities generally results in difficulty in playing for extended periods (especially if playing loudly and/or in the high register) or a complete inability to play. The former applies mainly in less severe cases; the latter in the most severe cases.
Cat Anderson was a trumpet player who was known for the ability to play extremely high with an even more extreme volume, who played with Duke Ellington's Big Band. Maynard Ferguson came to prominence playing in Stan Kenton's orchestra, before forming his own band in 1957. He was noted for being able to play accurately in a remarkably high ...
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