Search results
Results from the WOW.Com Content Network
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
The cafés of Paris are no longer part of her intellectual life, but they are certainly the chief feature of her streets; on pavements hardly wide enough for a honeymoon couple to walk on, a flimsy chair and an oak-grained tin table will defend against all-comers the right of every good Frenchman to enjoy upon the very streets of the loved city ...
It is located in the western suburbs of Paris, 18.4 km (11.4 mi) from the centre of Paris. Marly-le-Roi was the location of the Château de Marly, the famous leisure residence of the Sun King Louis XIV which was destroyed after the French Revolution. The Marly-le-Roi National Estate and Park now occupies much of the grounds of the former ...
Marly-le-Roi is the town that developed to serve the château, which was demolished in 1806 after passing into private ownership and being used as a factory. The town is now a bedroom community for Paris. At the Château of Marly, Louis XIV of France escaped from the formal rigors he was constructing at Versailles.
Café de la Paix, Paris Painting by Konstantin Korovin , 1906 Another view by Korovin The Café de la Paix ( French pronunciation: [kafe də la pɛ] ) is a famous café located on the northwest corner of the intersection of the Boulevard des Capucines and the Place de l'Opéra , in the 9th arrondissement of Paris , France.
L'Aqueduc de Marly painted by Alfred Sisley in 1874. View of the tour du Levant from the hillside above the Seine river. L'Aqueduc de Louveciennes (Louveciennes Aqueduct), sometimes called Aqueduc de Marly (Marly Aqueduct) is an aqueduct built in the 17th century under the reign of Louis XIV, located in Louveciennes (now in the French département of the Yvelines, in the west suburb of Paris).
Life in the cafe was depicted by several of the artists and writers that frequented the cafe, including Diego Rivera, Federico Cantú, Ilya Ehrenburg, and Tsuguharu Foujita, who depicted a fight in the cafe in his etching A la Rotonde of 1925. A later 1927 version, Le Café de la Rotonde, was part of the Tableaux de Paris of 1929. [8]
Nearly five feet high and over eleven-and-a-half feet wide, [5] Le Grand Teddy was accompanied by two smaller ovals, identified in the painter's notes as The Cafe and The Oysters. Standing four feet high [ 6 ] in portrait orientation, neither appeared in the Vuillard catalogue raisonné when the paintings were acquired as a pair by art dealer ...