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The song's lyrics refer to sexual frustration and commercialism. The song was first released as a single in the United States in June 1965 and was also featured on the American version of the Rolling Stones' fourth studio album, Out of Our Heads, released that July. "Satisfaction" was a hit, giving the Stones their first number one in the US.
"You Can't Always Get What You Want" is a song by the English rock band the Rolling Stones from their 1969 album Let It Bleed. Written by Mick Jagger and Keith Richards, it was named as the 100th greatest song of all time by Rolling Stone magazine in its 2004 list of the "500 Greatest Songs of All Time" before dropping a place the following year.
The Stones have performed "The Spider and the Fly" live very rarely: they did so during two eras of their career, in 1965-1966 and once during the 1995 leg of their Voodoo Lounge Tour. A March 1995 studio reworking of the song was included on the Stones' album Stripped. For this version the age of the woman in the song was updated from thirty ...
"Sympathy for the Devil" is a song by English rock band the Rolling Stones. The song was written by Mick Jagger and credited to the Jagger–Richards partnership. It is the opening track on the band's 1968 album Beggars Banquet.
The 1965 single release was a major success for the Rolling Stones. In the US, the single reached number one on the Billboard Hot 100 on 6 November 1965, and remained there for two weeks. [ 13 ] The song was included on the band's next American album, December's Children (And Everybody's) , released in December 1965. [ 14 ]
This slow ballad was written by Mick Jagger and Keith Richards. Bill Janovitz says, "The loneliness expressed in the song is palpable; all about being left behind, the song is certainly a tribute in musical and lyrical tone to such Robert Johnson blues songs as "Love in Vain" – a favourite cover of the Stones – referencing such images as a train leaving the station."
"She Comes in Colors" is a song written by Arthur Lee and released by the band Love as a single in 1966 and on their 1966 album Da Capo. It was also included on a number of Love compilation albums, including Love Revisited and Best of Love and on the multi-artist compilation album Forever Changing: The Golden Age of Elektra 1963–1973.
[8] But while Hector believes that the song has many of the ingredients for success, including a "curt riff, solid backing and a [lead] vocal buried within, as opposed to above, the sound," he feels that the song fall short of the opening songs on some of the more highly regarded Rolling Stones albums. [6]