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Vikas Divyakirti was born on 26 December 1973 in Bhiwani, Haryana.He completed his early schooling in Hindi medium at Halwasia Vidhya Vihar. After completing his schooling, he studied at Zakir Husain Delhi College, pursuing a Bachelor of Commerce (honors) degree.
Virat finally tells Sai that Vinayak is his son who came to Kankavli for treatment. Sai tells the entire family that Vinayak is Virat and her son and never died in the accident. Bhavani is regretful of her actions. Later, Patralekha kidnaps Vinayak and is about to leave the country but is stopped by Virat and he refuses to give Vinayak to Sai.
He writes in multiple languages including Hindi, Punjabi, and Rajasthani. He has published more than 10 novels, short stories, and collections. He was awarded the Sahitya Academy Yuva Puruskar in 2016 for his work Rankhaar. [4] [5] [6] He received the civilian lifesaving award Jeevan Raksha Padak for saving 8 lives.
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Brahmachari. Brahmachari (transl. Celibate) is a 1938 black and white Marathi film.The film was directed by Master Vinayak and written by Pralhad Keshav Atre and starred Master Vinayak himself along with Meenakshi Shirodkar in lead roles.The film was also made in Hindi language.
They received the darshan (divine vision) of the saint Kapila Mahamuni. With his blessings, they revived the naga tradition, officially naming it Mahanirvani Akhada near Neel Dhara in Haridwar . Even today, the chief deity (upaasyadev) of the Mahanirvani Akhada is the legendary saint Kapila Mahamuni.
Most of the stories narrated are from ‘Bhagavatam’. Gaddam Sammayya, a leader of these troupes, claims that though the Chindu Bhagavatas were seen as a lowly section of society, they trace their origin to Jamba Mahamuni, and believe their clan is the most ancient sect.
Badi Maa (Hindi pronunciation: ['bə.ɽiː 'mɑ̃ː]; transl. Elder Mother), also called Bari-Ma, is a 1945 Indian Hindi-language war drama film. [1] It was produced and directed by Master Vinayak . Made under the banner of Prafulla Pictures, Kolhapur, it had story written by V. S. Khendekar. [ 2 ]