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The following list comprises films not produced by a British or UK film studio but is strongly associated with British culture. The films in this list should fulfil at least three of the following criteria: The film is adapted from a British source material. The story is at least partially set in the United Kingdom. The film was at least ...
Opening Title Cast and crew Details Ref. J A N U A R Y 14 Locked Down: Director: Doug Liman Cast: Anne Hathaway, Chiwetel Ejiofor, Stephen Merchant, Mindy Kaling, Lucy Boynton, Mark Gatiss, Claes Bang, Ben Stiller, Ben Kingsley
Rocketman (Outstanding British Film, Best Leading Actor, Best Sound, Best Make Up & Hair) A Shaun the Sheep Movie: Farmageddon (Best Animated Film) Sorry We Missed You (Outstanding British Film) The Two Popes (Outstanding British Film, Best Leading Actor, Best Supporting Actor, Best Adapted Screenplay, Best Casting) Wild Rose (Best Leading Actress)
Opening Title Cast and crew Details Ref. J A N U A R Y 16 The Kid Who Would Be King: Director: Joe Cornish Cast: Louis Ashbourne Serkis, Dean Chaumoo, Tom Taylor, Rhianna Doris, Angus Imrie, Rebecca Ferguson, Patrick Stewart
In February 2011 Time Out surveyed 150 film industry experts to produce its list of "The 100 best British films." Nicolas Roeg's Don't Look Now topped the list. [1] [2] An updated list was published in May 2021, retaining the same rankings but adding four films (The Souvenir, Scum, God's Own Country, and Dunkirk) in place of Listen to Britain, Penda's Fen, I'm All Right Jack, and School for ...
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The Sweeney is a 2012 British action drama film, inspired by the 1970s The Sweeney, the British television police drama of the same name, but set in contemporary London. Written and directed by Nick Love , from a story by Love and John Hodge , it is based on the characters created by Ian Kennedy Martin .
The film was released in a few select cinemas in the UK on 22 November 2013 (where it was the most successful Danny Dyer film since Dead Man Running) and on DVD and Blu-ray on 23 December 2013. Reviews were distinctly polarised but the film was widely praised for its high production values.
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