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All of the four main churches and others also share and listen to various gospel singers, mezmur (gospel music or hymn) producers and choirs. History Peter Heyling was the first Protestant missionary in Ethiopia, [ 24 ] and is regarded [ by whom? ] as the founding father of the P'ent'ay or Wenigēlawī movement.
Organ music would play a large role in Lutheran music later on. Luther said that music ought to be “accorded the greatest honour and a place next to theology” due to its great importance. [20] During the Reformation, Luther did much to encourage the composition and publication of hymns, and wrote numerous worship songs in German. [21]
Whereas the previous generation had heavily emphasized homespun music and were often heavily influenced by operatic composers like Arthur Sullivan, the new generation largely turned to more classical Protestant sources for inspiration. The music committee even specifically noted that many of the finest and favorite hymns in the Mormon tradition ...
The gospel-song genre is unknown in the worship per se by Eastern Orthodox churches, which rely exclusively on traditional chants, and disallow instrumental accompaniment. Along with the more classical sacred music of composers ranging from Mozart to Monteverdi , the Catholic Church continued to produce many popular hymns such as Lead, Kindly ...
Chorale settings refer to a wide variety of musical compositions, almost entirely of Protestant origin, which use a chorale as their basis. A chorale is a simple melody, often based on Gregorian chant, written for congregations to sing hymns. Chorale settings can be vocal, instrumental, or both.
A new edition of the Sunday School songbook entitled Deseret Sunday School Songs was published in 1909. Following the format of the Songs of Zion hymnbook, it was expanded and printed with two-staff notation instead of the three-staff format of the Psalmody. Deseret Sunday School Songs outlasted the Psalmody, being used in the LDS Church until ...
Concordia: a collection of hymns and spiritual songs (1918) [330] Young People's Luther League Convention Song Book [331] [332] The Parish School Hymnal (1926) [333] [334] The Primary Hymn Book, Hymns and Songs for Little Children (1936) [335] United Lutheran Church in America. Common Service Book of the Lutheran Church with Hymnal (1917) [286]
The third stanza of the eponymous chorale in Johann Sebastian Bach's setting as the final movement of his chorale cantata Wachet auf, ruft uns die Stimme, BWV 140. A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant Church service.