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In music, timbre (/ ˈ t æ m b ər, ˈ t ɪ m-, ˈ t æ̃-/), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments.
Timbre composition is the art of creating new timbres. It is often performed electronically, either by combining sine waves (additive synthesis) or by filtering out harmonics from more complex waves (subtractive synthesis). Timbre composition is also significant for players of the electric guitar. The guitarist's relative proximity to his or ...
In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in ...
Music can be analysed by considering a variety of its elements, or parts (aspects, characteristics, features), individually or together. A commonly used list of the main elements includes pitch, timbre, texture, volume, duration, and form. The elements of music may be compared to the elements of art or design.
It became a landmark in the development of serial music. Serialism was a continuation of the Second Viennese School's innovations. Composers like Karlheinz Stockhausen systematized musical parameters like pitch, rhythm, and timbre. [4] Klangfarbenmelodie was particularly influential in the development of electronic music. [9]
Musical expression is the art of playing or singing with a personal response to the music. [1] At a practical level, this means making appropriate use of dynamics, phrasing, timbre and articulation to bring the music to life. [2] Composers may specify these aspects of expression to a greater or lesser extent in the notation of their musical score.
Minimalism started later in the century and can be seen as a change from the modern to postmodern era, although some date postmodernism from as early as about 1930. Aleatory , atonality , serialism , musique concrète , and electronic music were all developed during the century.
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation is often contrasted with musical development, which is a slightly different means to the