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Acrostic: a poem in which the first letter of each line spells out a word, name, or phrase when read vertically. Example: “ A Boat beneath a Sunny Sky ” by Lewis Carroll. Concrete (aka pattern): a written poem or verse whose lines are arranged as a shape/visual image, usually of the topic.
The term describes the rhythm, or meter, established by the words in each line. Rhythm is measured in small groups of syllables called "feet". "Iambic" indicates that the type of foot used is the iamb, which in English is an unstressed syllable followed by a stressed syllable (as in a-BOVE). "Pentameter" indicates that each line has five "feet".
Much lyric poetry depends on regular meter based either on syllable or on stress – two short syllables or one long syllable typically counting as equivalent – which is required for song lyrics in order to match lyrics with interchangeable tunes that followed a standard pattern of rhythm. Although much modern lyric poetry is no longer song ...
The lines are not simply rhythmic: the rhythm is regular within a line, and is the same for each line. A poem having a regular rhythm (not all poems do) is said to follow a certain meter. In "The Destruction of Sennacherib," each line has the basic pattern of two unstressed syllables followed by a third stressed syllable, with this basic ...
Blank verse is poetry written with regular metrical but unrhymed lines, usually in iambic pentameter. It has been described as "probably the most common and influential form that English poetry has taken since the 16th century", [ 1 ] and Paul Fussell has estimated that "about three quarters of all English poetry is in blank verse".
The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables coming at regular intervals (e.g. in iambic pentameters, usually every even-numbered syllable).
Melopoeia or melopeia is when words are "charged" beyond their normal meaning with some musical property which further directs its meaning, [1] inducing emotional correlations by sound and rhythm of the speech. Melopoeia can be "appreciated by a foreigner with a sensitive ear" but does not translate well, according to Pound. [1]
The 60 poems there have the typical German sonnet form, but are written in the long-lined free rhythms developed by Ernst Stadler. [123] Patrick Bridgwater, writing in 1985, called the work "without question the best single collection produced by a German war poet in 1914–18," but adds that it "is to this day virtually unknown even in Germany ...