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The Marriage of the Virgin, also known as Lo Sposalizio, is an oil painting by the Italian High Renaissance artist Raphael. Completed in 1504 for the Franciscan church of San Francesco, Città di Castello, the painting depicts a marriage ceremony between Mary and Joseph. It changed hands several times before settling in 1806 at the Pinacoteca ...
It would be given to the bride during the wedding, and it was the bride's parents' contribution to the wedding. There are in fact a variety of different terms used in contemporary records for chests, and the attempts by modern scholars to distinguish between them remain speculative, and all decorated chests are today usually called cassoni ...
In the early 21st century, on 11 September 2007, the 210th anniversary of the Napoleonic looting of the painting from Italy in 1797, a full-sized (6.77 m x 9.94 m) computer-generated (1,591 files), digital facsimile of The Wedding Feast at Cana was hung in the Palladian refectory of the Monastery of San Giorgio Maggiore, which the Giorgio Cini ...
Mantegna's exploration of how paintings or decorations could respond to the presence of the viewer was a new idea in Renaissance Italy that would be explored by other artists. The Camera degli Sposi's illusionistic ceiling also set a new standard for di sotto in sù ceiling paintings that would go on to inspire the ceiling paintings of ...
Masolino, Banquet of Herod, Castiglione Olona. In the first half of the 15th century, Lombardy was the Italian region where the International Gothic style had the greatest following, so much so that in Europe the expression ouvrage de Lombardie was synonymous with an object of precious workmanship, referring especially to the miniatures and jewelry that were an expression of an elitist ...
Bergamo and Brescia saw in the 15th century a significance in the Italian art scene that can be described as "satellite" compared to centers such as Milan and Venice.It was due to Francesco Sforza that Filarete worked in Bergamo (in the cathedral, c. 1455), and even a masterpiece like Giovanni Antonio Amadeo's Colleoni Chapel (1470-1476) is unthinkable outside the context of Sforza commissions ...
Santa Maria Assunta (Church of the Assumption) was built in 1215 in Siena as a precursor to the expression of Marian motifs in Renaissance art and architecture. The history of Catholic Mariology traces theological developments and views regarding Mary from the early Church to the 21st century.
St. Mary's Basilica, Kraków. Through the centuries, the progression of Medieval architecture towards Romanesque, Gothic, Renaissance, Baroque and eventually modern Marian church architectures may be viewed as a manifestation of the growth of Marian belief – just as the development of Marian art and music were a reflection of the growing trends in the veneration of the Blessed Virgin Mary in ...