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The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
"Feeling Good" (also known as "Feelin' Good") is a song written by English composers Anthony Newley and Leslie Bricusse for the musical The Roar of the Greasepaint – The Smell of the Crowd. It was first performed on stage in 1964 by Cy Grant on the UK tour. [1] Nina Simone recorded "Feeling Good" for her 1965 album I Put a Spell on You.
The upbeat instrumentals and the chorus with lyrics like “I’m walking on sunshine and don’t it feel good” makes this ‘80s song worth playing over and over again. Listen Here 21.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Stride piano is highly rhythmic because of the alternating bass note and chord action of the left hand. In the left hand, the pianist usually plays a single bass note, or a bass octave or tenth, followed by a chord triad toward the center of the keyboard, while the right hand plays syncopated melody lines with harmonic and riff embellishments ...
This version – which at 2:34 expanded on the Simon & Garfunkel original's running time, adding an a cappella choral section – was arranged by Leon Russell, who played piano on the track. The track also featured session musicians Glen Campbell , Carol Kaye and drummer Jim Gordon , and a woodwind quartet with a flute, oboe, clarinet, and bassoon.
One of the recording sessions for "Getting Better" is infamous for an incident involving Lennon. During the 21 March 1967 session in which producer George Martin added a piano solo to "Lovely Rita", Lennon complained that he did not feel well and could not focus. [14] [15] He had accidentally taken LSD when he meant to take an upper. [16]
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