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Abstraction, Porch Shadows (1916) by Paul Strand. Abstraction, Porch Shadows, also known as Abstraction, Porch Shadows, Twin Lakes, Connecticut, is a black and white photograph taken by Paul Strand in 1916. It is one of the best known photographs of his early phase, and shows the influence of cubism and abstractionism.
The French entertainer Félicien Trewey was interested in the art of Chinese shadow puppetry called Ombres Chinoises (known in china as the pi ying xi(皮影戏)), which means "Chinese shadows". He popularized the art of hand shadows when he developed shadows of famous silhouettes. It then became popular in Europe in the 19th century.
A traditional silhouette portrait of the late 18th century. A silhouette (English: / ˌ s ɪ l u ˈ ɛ t /, [1] French:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject.
Schlieren photography – light is focused with a lens or mirror and a knife edge is placed at the focal point to create graduated shadows of flow and waves in otherwise transparent media like air, water, or glass; Shadowgraph – like Schlieren photography, but without the knife-edge, reveals non-uniformities in transparent media
A celo cucoloris casting a shadow Crew members on National Treasure using a cookie. In lighting for film, theatre and still photography, a cucoloris (occasionally also spelled cuculoris, kookaloris, cookaloris or cucalorus) is a light modifier (tool, device) for casting shadows or silhouettes to produce patterned illumination.
Shadows from cumulus clouds thick enough to block sunlight. A shadow is a dark area where light from a light source is blocked by an object. It occupies all of the three-dimensional volume behind an object with light in front of it. The cross section of a shadow is a two-dimensional silhouette, or a reverse projection of the object blocking the ...
Before its use in photography, contre-jour was used in painting, where the shadows would fall to the left on the left, to the right on the right and forward in the lower centre. The edges of the subject would show surprising colour effects.
Use of negative space will produce a silhouette of the subject. Most often, negative space is used as a neutral or contrasting background to draw attention to the main subject, which then is referred to as the positive space. In photography, negative space may also connote a type of shadows called ephemeral shadows. [7]
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