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Jazz and Jump Blues singers helped popularize the style in the 1930s and 40s. Cab Calloway called them "totally and truly American". The suits were worn mainly by African American men, including a young Malcolm X. [6] During the rationing of World War II, they were criticized as a wasteful use of cloth, wool being rationed then.
By the mid-1920s, however, many men preferred shirts with attached collars, which were softer and more comfortable than rigid, detachable collars. [24] Men's hats. Men's hats were usually worn depending on their class, with upper class citizens usually wearing top hats or a homburg hat. Middle-class men wore either a fedora, bowler hat, or a ...
African American men in zoot suits. The words hep and hip are of uncertain origin, with numerous competing theories being proposed. In the early days of jazz, musicians were using the hep variant to describe anybody who was "in the know" about an emerging, mostly African-American subculture, which revolved around jazz.
Men's winter overcoat from 1917; Spring suit fashions in 1918; Members of the Louisiana Five jazz band wear three-piece suits, 1919. Courtesy of Nunez family collection. Photo of The Prince of Wales in a three-piece suit with pleated, cuffed trousers, Homburg hat, 1919. Men's clothing. Visual dictionary illustrations from a Swedish-German ...
They were young people expressing their individuality by wearing big or garish clothing (similar to the zoot suit fashion in America a few years before) and dancing wildly to swing jazz. Men wore large striped lumber jackets, while women wore short skirts, striped stockings and heavy shoes, and often carried umbrellas.
Leading European men began wearing well-cut, tailored suits recognizable today. The simplicity of the new clothes and their somber colors contrasted strongly with the extravagant, foppish styles just before. Brummell's influence introduced the modern era of men's clothing which now includes the modern suit jacket, full-length pants, and necktie ...
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