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John Young Johnstone (November 12, 1887 [1] – February 13, 1930) [2] was a Canadian Impressionist painter, known for his paintings of life in city, town or countryside, as well as for scenes of Montreal's Chinatown.
More recently, curators have discovered a new dimension of Canadian modernism in the Beaver Hall Group. In contrast to the familiar modernist icons of the Toronto-based Group of Seven, the Montreal Beaver Hall painters were occupied with distinctly urban subjects: industry, fashion, and city life.
The first coat of arms of Montreal was designed by Jacques Viger, the first mayor of Montreal, and adopted in 1833 by the city councillors. [1] Modifications were made some one hundred five years later and adopted on 21 March 1938, and again on 13 September 2017, resulting in the version currently in use.
Old Montreal: Michel Lemieux and Victor Pilon: 2017 [13] Continuum 2009 (à la mémoire de Pierre Perrault) Continuum 2009 (à la mémoire de Pierre Perrault) Promenade Bellerive Park: Roland Poulin 2009 [14] Danse de la Paix: Danse de la Paix: McGill University: Robert Roussil 1963 [15] Le déjeuner sur l'herbe: Le déjeuner sur l'herbe: René ...
Little was born in Montreal on February 20, 1928. After studying at the École des beaux-arts de Montréal and with the Art Students League of New York (where he met Ray Bailley and helped to illustrate the Bruce Gentry comic strip), Little joined Luke & Little, his family's architectural practice in 1951, working as a draftsman. [4]
John Richard Fox (July 26, 1927 – June 16, 2008) was a painter, sculptor, collagist, watercolourist and draftsman, as well as an educator who lived in Montreal most of his life.
Philip Surrey CM RCA LL. D. (October 10, 1910 – April 24, 1990) was a Canadian artist known for his figurative scenes of Montreal. A founding member of the Contemporary Arts Society, and Montreal Men's Press Club (now Montreal Press Club), Surrey was part of Montreal's cultural elite during the late 1930s and 1940s.
A year later, she moved on to Spain and Italy for a time before returning to Montreal, where she took a bookkeeping day job, taught art in the evenings, and "painted like mad." [15] She began experimenting in the ancient art form of encaustic painting, and in 1953, several of these works were exhibited in Montreal. [11] [16]
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