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Huaso in a Chilean wheat field, 1940 "The Huaso and the Washerwoman" by Mauricio Rugendas (1835). Espuelas, or silvered steel spurs, of a Chilean huaso. A huaso (Spanish pronunciation:) is a Chilean countryman and skilled horseman, [1] similar to the American cowboy, the Mexican charro (and its northern equivalent, the vaquero), the gaucho of Argentina, Uruguay and Rio Grande Do Sul, and the ...
The Chilean Rodeo Federation has been critical of the government for the lack of funds towards the sport, arguing that because in many parts of the country, due to the distance from population centres, sporting events do not take place, the local population turns to the rodeo as their primary pastime throughout Chilean countryside.
The coat of arms of Chile. The culture of Chile reflects the population and the geographic isolation of the country in relation to the rest of South America. Since colonial times, the Chilean culture has been a mix of Spanish colonial elements with elements of indigenous (mostly Mapuche) culture, as well as that of other immigrant cultures.
Jul. 6—Eight teenage girls and their teacher made their way to Santa Fe this week from their small town in Chile to showcase their unique dance styles to the city and the world. Ranging in age ...
Chile's Nueva Canción movement in modern Chilean folk culture is adapted from the folk music of the north, not of the brass bands but of the panpipes and quenas. The traditional Chilean folk music of the huasos were also popularized, particularly the tonadas, folk songs sung with a guitar, mainly on the topics of love.
The Pageant of the Masters is an annual festival held by the Festival of Arts in Laguna Beach, California, United States.. The event is known for its tableaux vivants or "living pictures" in which classical and contemporary works of art are recreated by real people who are made to look nearly identical to the originals through the clever application of costumes, makeup, headdresses, lighting ...
Chilean art refers to all kinds of visual art developed in Chile, or by Chileans, from the arrival of the Spanish conquerors to the modern day. It also includes the native pre-Columbian pictorial expression on modern Chilean territory. Mapuches expressed their art through weaving and clothing. Machi attire was important in ceremonies.
In Chile, the cueca developed and spread in bars and taverns, [12] which were popular centers of entertainment and parties in the nineteenth century. [13] During Fred Warpole's stay in Chile between 1844 and 1848, he described some characteristics of the dance: guitar or harp accompaniment, hand drumming or tambourine for rhythm, high-pitched singing, and a unique strumming pattern where the ...