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Hikimayu first appeared in the eighth century, when the Japanese court adopted Chinese customs and styles. [2] Japanese noblewomen started painting their faces with a white powder called oshiroi . One putative reason for hikimayu was that removing the natural eyebrows made it easier to put on the oshiroi .
The word is written with kanji meaning "white powder", and is pronounced as the word for white (shiroi) with the honorific prefix o-. When worn by geisha and maiko , oshiroi is notable for only partially covering the nape of the neck, as an uncovered nape was traditionally considered erotic in Japanese culture.
Yūrei-zu (幽霊図) are a genre of Japanese art consisting of painted or woodblock print images of ghosts, demons and other supernatural beings. They are considered to be a subgenre of fūzokuga, "pictures of manners and customs." [1] These types of art works reached the peak of their popularity in Japan in the mid- to late 19th century. [2]
The word hannya (般若) is a Japanese phonetic transcription of the Sanskrit word prajñā (प्रज्ञा), meaning 'wisdom'. [6] There are several hypotheses as to why the mask used in Noh, which represents a vengeful spirit expressing female jealousy and resentment, was named hannya. [7]
Hōate are also portrayed in art and literature of the period, most notably the Aki no yo no Nagamonogatari scroll [10] and Taiheiki. The menpō (half-mask with detachable nosepiece) and the sōmen (full face mask) are believed to have been introduced around the mid to late 15th century, and the hanbō (chin guard) in the second half of the ...
The Japanese terms for vertical (portrait) and horizontal (landscape) formats for images are tate-e (縦絵) and yoko-e (横絵), respectively. Below is a table of common Tokugawa-period print sizes. Sizes varied depending on the period, and those given are approximate they are based on the pre-printing paper sizes, and paper was often trimmed ...
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