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It is also a Drake album made up almost wholly of the parts of Drake albums that send hip-hop purists into conniptions". [27] Writing for Rolling Stone, Jeff Ihaza stated, "The album achieves something mischievously unguarded: a collection of blissful dance tunes constructed for embrace and abandon. Drake takes a leap further into uncharted ...
It was previously held by Drake himself, with his album Nothing Was the Same (2013), with 15.146 million streams in the first week. The album was nominated for Best Rap Album at the 2016 Grammy Awards. In 2020, the album was ranked 367th on Rolling Stone ' s updated list of the 500 Greatest Albums of All Time.
At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 70, based on 24 reviews. [14] Billboard described Drake and Future's chemistry as expected and said "Future deals with personal demons that he tries, and fails, to drown in drugs; Drake is mostly about ...
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Mosi Reeves of Rolling Stone felt that there is "evidence of a good album somewhere within the hour-and-a-half long bloat that is For All the Dogs" but summarized the album as "meandering". [ 57 ] In a review of For All the Dogs Scary Hours Edition , Shahzaib Hussain for Clash wrote that Drake "finds pockets within the grooves and crevices ...
"Massive" is a house song by Canadian rapper Drake. [1] It was sent to contemporary hit radio through Republic Records and OVO Sound as the dual lead single from his seventh studio album, Honestly, Nevermind, on June 21, 2022, alongside the single "Sticky".
The song received generally positive reviews from music critics. Brendan Klinkenberg of Rolling Stone said, "[the song] opens like most Drake songs, with gloomy, atmospheric synths and Drake singing sweetly to an ex-lover. Then Jackson comes in; even with some digital quivering added to his vocals, he's unmistakeable.
Mosi Reeves of Rolling Stone called the song an example of "aimless dross" on Her Loss. [3] Paul A. Thompson of Pitchfork wrote in a review of the album, "he [Drake] and 21 are most effective when they either imitate one another", using Drake on "Major Distribution" as an example. [4]