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Painting in the traditional style is known today in Chinese as guó huà (simplified Chinese: 国画; traditional Chinese: 國畫), meaning "national painting" or "native painting", as opposed to Western styles of art which became popular in China in the 20th century.
Early forms of art in China are found in the Neolithic Yangshao culture, which dates back to the 6th millennium BC. Archeological findings such as those at the Banpo have revealed that the Yangshao made pottery; early ceramics were unpainted and most often cord-marked. The first decorations were fish and human faces, but these eventually ...
Early forms of art in China were made from pottery and jade in the Neolithic period, to which was added bronze in the Shang dynasty. The Shang are most remembered for their blue casting, noted for its clarity of detail. Early Chinese music and poetry was influenced by the Classic of Poetry, Confucius and the Chinese poet and statesman Qu Yuan.
Zhen believes the style coincides with the paintings found in the tomb of Wang Shenzi, a key figure in the late 800s during the fall of the Tang dynasty and rise of the Song dynasty.
Ming painting provided the basis for early Qing painting, from skills, style, subjects and theoretical basis. The concept of Northern and Southern Schools, developed by Dong Qichang in the late Ming period, influenced the more academic formal painters, such as Wang Yuanqi [ 2 ] well as providing an inspiration for daring originality for the ...
The use of line in painting became much more calligraphic than in the early period. The theory of painting also developed, and Buddhism, Taoism, and traditional literature were absorbed and combined into painting. Paintings on architectural structures, such as murals (壁畫), ceiling paintings, cave paintings, and tomb paintings, were very ...
Before the creation of the book, Chinese art-related works mainly focused on appreciation and cataloging, such as Gu Kaizhi's (顾恺之) On Painting and Xie He's (谢赫) Classified Record of Ancient Paintings. Zhang Yanyuan thus pioneered Chinese art history by being the first to document painters in a chronological format.
The Four Masters of the Ming dynasty (Chinese: 明四家; pinyin: Míng Sì Jiā) are a traditional grouping in Chinese art history of four famous Chinese painters that lived during the Ming dynasty. The group consists of Shen Zhou (1427–1509), Wen Zhengming (1470–1559), Tang Yin (1470–1523), and Qiu Ying (c.1494–c.1552).
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