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Various types of embroidery patterns are used for a lehenga-style sari. Bagh, chikan, kashida, kasuti, kantha, sozni, shisha, and zardozi are some of the commonly practiced types of embroidery in the lehenga-style sari. Bagh is a special kind of embroidery done by women in Punjab to be worn during festivals and weddings.
A fitted blouse is often worn with Mekhela chador. Traditionally, in the past, another garment called riha was worn as a chador or as an inner piece below the chador. A riha is still worn as part of the Assamese bridal trousseau and sometimes seen people wearing in indigenous traditional events like Bihu and other Assamese festivals.
Kasavu is a technique used in handlooms of Kerala, with very fine threads of gold or silver used in weave to make border lines and designs on silk and cotton fabrics. This technique later spread to most of India and the Kasav technique was developed for many other fabrics across India.
A variety of weaving techniques were employed in ancient India, many of which survive to the present day. Silk and cotton were woven into various designs and motifs, each region developing its distinct style and technique. Famous among these weaving styles were the Jamdani, Kasika vastra of Varanasi, butidar, and the Ilkal saree.
The colour for the blouse of the mundum neriyatum for this occasion is determined by the age and marital status of the woman. Young unmarried girls wear green coloured blouse, while married middle aged mothers wear red blouses. The kasavu or the golden border is either pure golden layer, copper coated or artificial.
A sari (sometimes also saree [1] or sadi) [note 1] is a women's garment from the Indian subcontinent. [2] It consists of an un-stitched stretch of woven fabric arranged over the body as a robe , with one end attached to the waist, while the other end rests over one shoulder as a stole , [ 3 ] sometimes baring a part of the midriff .
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